काव्यमीमांसा (महाकवि राजशेखर - कवि-रहस्य एवं देश-विभाग सटीक)

158 EXPLANATORY NOTES प्रतनुश्लक्ष्णालपदुकूलता परिमितमाभरणं सुगन्धिता नात्युल्बणमनुलेपनं तथा शुक्लान्यन्यानि पुष्पाणीति वैहारिको वेषः ॥ २५ ॥ In this verse readers appreciate the Vyutpatti of the poet and do not denounce him for his lack of Pratibhā or शब्दार्थगुम्फना । Page. 17.

• [ l. 1. जङ्घाकाण्डो also in काव्यप्रकाश VII. ] ll. 1-4. In this verse, the poet has exhibited both Pratibhā and Vyutpatti, and Rājaśekhara thinks that the poet who possesses both the faculties, is the best. Here, the poet's Vyutpatti of Nāṭya can be discovered by referring to the definition of Daṇḍa- pāda, a kind of dancing described in the Nāṭyaśāstra and the Saṅgītaratnākara. cf. Nāṭyaśāstra-( G.O.S. No. 36. ) नूपुरं चरणं कृत्वा दण्डपादं प्रसारयेत् । क्षिप्ताविद्धकरं चैव दण्डपादं तदुच्यते ॥ and 4-143. चारी नूपुरपादोऽथ दण्डपादाहृतः करः । दण्डवच्च्यस्यते यत्र दण्डपादं तदुच्यते ॥ सूरयो विनियुञ्जन्ति तत्साटोपपरिक्रमे ॥ Saṅgītaratnākara 7-711. The Pratibhā of the poet also is well exhibited here by his excellent description of the dance of the Devī in the most appropriate words.
• [ l. 20. लोलल्लाङ्गूल also in सरस्वतीकण्ठाभरण. Read मालंध्योत्ताल. ] ll. 20-24. Bhojadeva quoted this verse in his Sarasvatī- kaṇṭhābharaṇa ( 2-69 ) to illustrate पदरचना. How the poet here zealously observes the methods of रचना may be gathered from the remarks of Bhojadeva : अधिकानामपुष्टार्थानामपि पदानामनुप्रासाय छन्दःपूरणाय चार्थानुगुण्येन रचितत्वादियं पदरचना । l. 25. In this verse, the author illustrates the skill of a poet in composing complete sentences only with nouns without using any verb. Page. 18. *[l. 11. देवी पुत्रमसूत attributed to योगेश्वर in सदुक्तिकर्णामृत; also in सरस्वतीकण्ठाभरण. ]