काव्यप्रकाश (आचार्य मम्मट - सम्पूर्ण १० उल्लास सटीक)

CHAPTER IV 75 अत्रावेगहर्षयोः । क्वाकार्यं शशलक्ष्मणः क्व च कुलं भूयोपि दृश्येत सा दोषाणां प्रशमाय न श्रुतमहो कोपेपि कान्तं मुखम् । किं वक्ष्यन्त्यपकल्मषाः कृतधियः स्वप्नेपि सा दुर्लभा चेतः स्वास्थ्यमुपैहि कः खलु युवा धन्योधरं धास्यति ॥ ५३ ॥ अत्र वितर्कोत्सुक्यमतिस्मरणशङ्कादैन्यधृतिचिन्तानां शबलता । भावस्थितिस्तूक्ता उदाहृता च ॥ ३६ ॥ मुख्ये रसेपि तेऽङ्गित्वं प्राप्नुवन्ति कदाचन । Here we have the ‘manifestation’ of Impatience. (c) ‘On one side attract me my love for good com- pany and sudden outburst of heroism on seeing this recep- tacle of austerity and prowess ; on the other, the exquisite embrace of Sītā, cooling and soft like celestial sandal and like the moon, lulls my consciousness and keeps me back’. Here we have the ‘conjuncture’ of Flurry and Joy. (d) ‘Where on one side is this unblemished lunar dynasty, and where, on the other, this improper act?— May she be seen again ! Our learning is meant to be a check upon evil tendencies ;—her face lovely even in anger ! What shall the wise and pure ones say?—She is difficult to be got at even in a dream ! O, heart, be calm ;—what blessed young man will kiss her lips !’ Here we have the ‘admixture’ of Trepidation, Im- patience, Resolve, Recollection, Anxiety, Depression, Serenity and Painful Reflection. The mere presence of ‘emotion’ has already been described and illustrated (vide above—‘Jāne kopapa- raṅmukhī etc.’) 36. Though it is Passion that is the predominant factor, yet these also acquire predominance sometimes.