काव्यप्रकाश (आचार्य मम्मट - सम्पूर्ण १० उल्लास सटीक)
Kavyaprakasha of Mammata with Hindi Commentary
आचार्य मम्मट / पं. विश्वेश्वर सिद्धान्तशिरोमणि द्वारा
पृष्ठ 140, कुल 616 में से
संदर्भ में पढ़ेंCHAPTER IV 87 अत्र निःश्वासैः प्राप्तैश्वर्या वायवः किं किं न कुर्वन्तीति वस्तुना वस्तु व्यज्यते । सहि विरइऊण माणस्स मज्झ धीरत्तणेण आसासं । पिअदंसणविहंखलेलक्खणम्मि सहसत्ति तेण ओसरिअं ॥६९॥ अत्र वस्तुनाकृतेपि प्रार्थने प्रसन्नेति विभावना प्रियदर्शनस्य सौभाग्यबलं धैर्येण सोढुं न शक्यते इत्युत्प्रेक्षा वा । ओल्लोल्लकरअरअरुखएहि तुह लोअणेसु मह दिण्णं । रत्तंसुअं पसाओ कोवेण पुणो इमे ण अक्कमिआ ॥ ७० ॥ berance of youth,—even though only new born—by contact with the sighs of women suffering from the pangs of separation from their lovers.’—(Fact suggested by Fact, based upon the bold assertion of an imaginary person). Here the fact that ‘ the winds strengthened by the sighs become capable of doing anything ’ is suggested by the fact (that the ‘ Malaya-winds have become youthful ’, which is purely imaginary, being set forth by the particular person, the lady’s friend, portrayed by the poet). (10) ‘ Self-possession, after having encouraged my self-respect, suddenly vanished at the exciting moment of my lover’s visit ’.—(Figure suggested by fact asserted by an imaginary person). Here, either (a) the figure of ‘ Peculiar Causation,—in the implication that ‘ the lady became reconciled to her lover even before he made his protestations ’.—or (b) the figure of ‘ Poetic Fancy ’,—in the implication that ‘ self- possession cannot withstand the force of the charm of the lover’s visit’,—is suggested by the fact (that the indignant lady became reconciled) [and this is asserted by the ima- ginary female character portrayed by the poet]’. (11) ‘ These eyes of mine are not seized by anger ; in fact they have received the red clothing as a reward from