काव्यप्रकाश (आचार्य मम्मट - सम्पूर्ण १० उल्लास सटीक)

98 KĀVYAPRAKĀŚA वाह्यते इति भुअणरज्जपदद्योत्यं वस्तु प्रकाश्यते । निशितशरधियार्पयत्यनङ्गो दृशि सुदृशः स्वबलं वयस्यराले । दिशि निपतति यत्र सा च तत्र व्यतिकरमेत्य समुन्मिषन्त्यवस्थाः ॥ ॥८५॥ (११) अत्र वस्तुना युगपदवस्थाः परस्परविरुद्धा अपि प्रभवन्तीति व्यतिकरपदद्योत्यो विरोधः । वारिज्जंतो वि पुणो संदावकदत्थिएण हिअएण । थणहरवअस्सएण विसुद्धजाई ण चलइ से हारो ॥८६॥ (१२) अत्र विशुद्धजातित्वलक्षणहेत्वलंकारेण हारोनवरतं कम्पमान persons over whom Cupid has his sway ever goes against his orders, hence they spend the nights in wakeful dalliance.’ (11) Suggestion of perceptible process—of Figure by an imaginary Fact.]— ‘Regarding it as his sharp arrow, the Bodiless God (Cupid) lends all his force to the glance of the beautiful- eyed woman at her saucy age ; whenever on whatever side it falls, it produces quite an admixture of conditions.’ The Figure of ‘Contradiction’,—in the implication that ‘even mutually incompatible conditions appear simultaneously’—involved in the term ‘admixture’, is suggested by the (imaginary) fact (of Cupid lending his forces to the arrow and bringing about mixed conditions). (12) [Suggestion of perceptible process—of a fact by an imaginary Figure.]— ‘Even though forbidden by the heart suffering from pain (due to the impediment to embrace caused by the presence of the ornament), the necklace, being of pure breed, does not abandon its friends, the breasts.’ The (imaginary) Figure of ‘Poetic Reason’ involved