काव्यप्रकाश (आचार्य मम्मट - सम्पूर्ण १० उल्लास सटीक)

110 KĀVYAPRAKĀŚA रे रे चञ्चललोचनाञ्चितरुचे चेतः प्रमुच्य स्थिर- प्रेमाणं महिमानमेणनयनामालोक्य किं नृत्यसि । किं मन्ये विहरिष्यसे बत हतां मुञ्चान्तराशामिमाम् एषा कण्ठतटे कृता खलु शिला संसारवारानिधौ ॥१०३॥ अत्र प्रहासः । पूर्वनिपातस्य यथा येषां दोर्बलमेव दुर्बलतया ते संमतास्तैरपि प्रायः केवलनीतिरीतिशरणैः कार्यं किमुर्वीश्वरैः । and multifarious, the Love (aroused by them) is one and uniform. The following is an example of suggestion by the change of ‘Person.’ ‘O thou my heart, in whom has been aroused a hanker- ing after the fickle-eyed woman ! Why dost thou relin- quish that exalted position of lasting devotion and begin to dance at the sight of the fawn-eyed one ? I think—you will dally ! Ah ! give up this despicable desire ; this is a piece of stone tied to one’s neck in the ocean of the world.’ Here ridicule (is suggested by the sudden change into the First Person in ‘I think,’ ‘manye,’ according to Pāṇini’s rule 1.4.106 whereby the First Person singular affix added to the root ‘man’ to ‘think’ implies ridicule). The following is an example of suggestion by ‘irre- gular priority.’— Those men who have only the strength of arms have been regarded as weak ; what useful work again can be done by those kings who take shelter in mere statesman- ship ? O terrestrial Indra ! Those who, like you, have