काव्यप्रकाश (आचार्य मम्मट - सम्पूर्ण १० उल्लास सटीक)

208 KĀVYAPRAKĀŚA यथा शृङ्गारे अकुण्ठोत्कण्ठया पूर्णमाकण्ठं कलकण्ठि माम् । कम्बुकण्ठ्याः क्षणं कण्ठे कुरु कण्ठार्तिमुद्धर ॥२०७॥ रौद्रे यथा देशः सोयमरातिशोणितजलैर्यस्मिन् ह्रदाः पूरिताः क्षत्रादेव तथाविधः परिभवस्तातस्य केशग्रहः । तान्येवाहितहेतिघस्मरगुरूण्यस्त्राणि भास्वन्ति मे यद्रामेण कृतं तदेव कुरुते द्रोणात्मजः क्रोधनः ॥२०८॥ not in such consonance are called ‘discordant’. For example in the following delineation of the Erotic— ‘Akuṇṭhotkaṇṭhayā pūrṇamākaṇṭhaṁ kalakaṇṭhi mām Kambukaṇṭhyāḥ kṣaṇaṁ kaṇṭhe kuru kaṇṭhārtimuddhara.’ ‘O sweet-voiced one ! Do place me, who am full up to the throat with unimpeded longing, on the neck of the conch-necked one, and thereby remove the pangs of my neck’;— [The frequent repetition of the harsh letter ṇṭha is highly discordant with the sentiment depicted]. Or, in the following delineation of the Furious— ‘Deśaḥ soyamarātiśoṇitajalairyasmin hradāḥ pūritāḥ Kṣattrādeva tathāvidhaḥ paribhavastātasya keśagrahaḥ Tānyevāhitahetighasmaragurūṇyastrāṇi bhāsvanti me Yad rāmeṇa kṛtantadeva kurute droṇātmajaḥ krodhanaḥ’. ‘This land is the same where pools were filled (by Paraśurāma) with the blood of slaughtered enemies ; insult at the hands of a Kṣattriya, in the shape of the father’s locks being pulled, is also similar ; these resplendent weapons of mine also are similarly famous as being des- tructive of the weapons of enemies ; the wrathful son of