काव्यप्रकाश (आचार्य मम्मट - सम्पूर्ण १० उल्लास सटीक)

214 KĀVYAPRAKĀŚA विकसितसहकारतारहारिपरिमलगुञ्जितपुञ्जितद्विरेफः । नवकिसलयचारुचामरश्रीहरति मुनेरपि मानसं वसन्तः ॥२१७॥ अत्र हारिशब्दः । हारिप्रमुदितसौरभेति पाठो युक्तः । यथा वा अन्यास्ता गुणरत्नरोहणभुवो धन्या मृदन्यैव सा संभाराः खलु तेन्य एव विधिना यैरेष सृष्टो युवा । श्रीमत्कान्तिजुषां द्विषां करतलात् स्त्रीणां नितम्बस्थलात् दृष्टे यत्र पतन्ति मूढमनसामस्त्राणि वस्त्राणि च ॥२१८॥ two short ones),—is unmelodious [as has been recognised by standard writers on metrics also]. (b) ‘Vikasitasahakāratārahāriparimala........................ ..............................................vasantaḥ’. ‘The spring bearing the fascinating fragrance of the blossoming mangoes, having swarms of black bees humm- ing about, and beautified by chowries in the shape of the fresh leaves of trees—captivates the heart of even the ascetic’. Here the metre is halting at ‘hāri’ [where the last vowel is not elongated]. The right reading would be ‘hāri—pramudita etc. etc.’ Or, as in the following— ‘Anyāstā............................vastrāṇi cha’. ‘Wonderful must have been the mines that produced these jewels of qualities ! wonderful too that blessed clay, as also the accessories, wherewith this young man has been created by God ! Since at his appearance, the weapons fall off from the hands of his rich and elegant enemies, and clothes slur away from the waists of beautiful women,— both of these having their hearts benumbed (the former through fear and the latter through love)’.