काव्यप्रकाश (आचार्य मम्मट - सम्पूर्ण १० उल्लास सटीक)

218 KĀVYAPRAKĀŚA के के कानि वनान्यरण्यमहिषा नोन्मूलयेयुर्यतः सिंहीस्नेहविलासबद्धवसतिः पञ्चाननो वर्तते ॥२२४॥ (१०) समाप्तपुनरात्तं यथा क्रेङ्कारः स्मरकार्मुकस्य सुरतक्रीडापिकीनां रवः झङ्कारो रतिमञ्जरीमधुलिहां लीलाचकोरीध्वनिः । तन्व्याः कञ्चुलिकापसारणभुजाक्षेपस्खलत्कङ्कण- क्वाणः प्रेम तनोतु वो नववयोलास्याय वेणुस्वनः ॥२२५॥ Ke ke kāni vanānyaraṇyamahiṣā nonmūlayeyuryataḥ Siṁhīsnehavilāsabaddhavasatiḥ pañchānano vartate ’ ‘ What boar and where would not make the terrible ghur ghur sound ?—What elephant would not deprive the lotus-ponds of its lotuses ?—What wild buffalo would not uproot the forests ?—Now that the lion lies capti- vated by the love of the lioness !’ [Here the climax is not maintained to the end; it breaks off after the third line. The destructiveness of one animal is described in the first foot, greater destructiveness is described in the second foot, and still greater destructiveness is described in the third foot; this climax would have been rightly maintained, if the lion were described, in the last foot, as bringing greater destruction than that wrought by all the aforesaid animals. What is done on the other hand is that the fierce destructiveness of animals is toned down towards the end to the quiescent lying down of the lion under the captivating influence of feminine charms.] (10) The following is the example of ‘ Resuming the Concluded ’— ‘ Kreṅkāraḥ.........veṇusvanaḥ ’. ‘ Like unto the twang of Cupid’s bow, the sweet singing of the cuckoo of dalliance, the humming of bees in the blossom of love, the sound of the partridge of graceful sportiveness,—may the jingling of the slender