काव्यप्रकाश (आचार्य मम्मट - सम्पूर्ण १० उल्लास सटीक)

224 KĀVYAPRAKĀŚA यथा वा चत्वारो वयमृत्विजः स भगवान् कर्मोपदेष्टा हरिः संग्रामाध्वरदीक्षितो नरपतिः पत्नी गृहीतव्रता । कौरव्याः पशवः प्रियापरिभवक्लेशोपशान्तिः फलं राजन्योपनिमन्त्रणाय रसति स्फीतं हतो दुन्दुभिः ॥२३१॥ अत्राध्वरशब्दः समासे गुणीभूत इति न तदर्थः सर्वैः संयुज्यते । यथा वा जङ्घाकाण्डोरुनालो नखकिरणलसत्केसरालीकरालः प्रत्यग्रालक्तकाभाप्रसरकिसलयो मञ्जुमञ्जीरभृङ्गः । Another example— Chatvāro vayamṛtvijaḥ sa bhagavān karmopadeṣṭā hariḥ Saṁgrāmādhvaradīkṣito narapatiḥ patnī gṛhītavratā Kauravyāḥ pashavaḥ priyāparibhavakleshopashāntiḥ phalaṁ Rājanyopanimantraṇāya rasati sphītaṁ hato dundubhiḥ.’ ‘ We four are the sacrificial priests; the blessed Hari is the spiritual adviser; the king has been initiated for the battle-ritual; and his wife is keeping the vows; the Kurus are the animals (to be sacrificed); the result aimed at is the allayment of the pain caused by the molestation of our beloved wife; the battle-drum is being sounded for the purpose of inviting the Kṣattriyas (to the sacrifice)’. Here the term ‘adhvara’, ‘sacrifice’, has been made a subordinate member of the compound, and hence what is denoted by it fails to be connected with all the sacrificial details mentioned. The following is yet another example;— ‘Jaṅghākāṇḍorunālo nakhakiraṇalasatkesarālīkarālaḥ Pratyagrālaktakābhāprasarakisalayo mañjumañjīrabhṛṅgaḥ