काव्यप्रकाश (आचार्य मम्मट - सम्पूर्ण १० उल्लास सटीक)

284 KĀVYAPRAKĀŚA अत्र सकलपरिहारवनगमने शान्तानुभावौ । इन्धनाद्या- नयनव्याजेनोपभोगार्थं वनगमनं चेत् न दोषः ॥ (७) दीप्तिः पुनः पुनर्यथा कुमारसंभवे रतिविलापे ॥ (८) अकाण्डे प्रथनं यथा वेणीसंहारे द्वितीयेऽङ्केनेकवीरक्षये प्रवृत्ते भानुमत्या सह दुर्योधनस्य शृङ्गारवर्णनम् । (९) अकाण्डे छेदो यथा वीरचरिते द्वितीयेऽङ्के राघवभार्गव- योर्धाराधिरूढे वीररसे 'कङ्कणमोचनाय गच्छामि' इति राघ- वस्योक्तौ ॥ The ensuants depicted here are the losing of interest in all work and proceeding to the forest; and both of these are helpful to the quiestistic Passion (and adverse to the Erotic.) [Thus this is a case of the 'admission of adverse concomitants', in the shape of the ensuant.] There would be nothing objectionable if there were something to indicate that the desire to proceed to the forest was for the purpose of meeting the lover, under the pretext of fetching fuel and such things. (7) As an example of 'Repeated Heightening' we have 'Rati's Lament' in the Kumārasambhava. (8) An example of 'untimely introduction' we have in the Second Act of the Veṇīsaṁhāra, where, while the slaughter of numerous heroes is proceeding, the poet proceeds to describe the loving dalliances of Duryodhana with Bhānumatī. (9) An example of 'untimely interruption' we have in the Second Act of the Mahāvīracharita, where the Heroic sentiment between Rāma and Parashurāma having reached the highest pitch, Rāma says—' I am going to unfasten the nuptial bracelet.'