काव्यप्रकाश (आचार्य मम्मट - सम्पूर्ण १० उल्लास सटीक)

294 KĀVYAPRAKĀŚA अत्र बीभत्सशृङ्गारयोरन्तर्वीररसो निवेशितः ।।६४।। स्मर्यमाणो विरुद्धोऽपि साम्येनाथ विवक्षितः । अङ्गिन्यङ्गत्वमाप्तौ यौ तौ न दुष्टौ परस्परम् ।। ६५ ।। अयं स रशनोत्कर्षी पीनस्तनविमर्दनः । नाभ्यूरुजघनस्पर्शी नीवीविस्रंसनः करः ।।३३६।। एतद् भूरिश्रवसः समरभुवि पतितं हस्तमालोक्य तद्वधूर- भिदधौ । अत्र पूर्वावस्थास्मरणं शृङ्गाराङ्गमपि करुणं परि- पोषयति ।। दन्तक्षतानि करजैश्च विपाटितानि प्रोद्भिन्नसान्द्रपुलके भवतः शरीरे । दत्तानि रक्तमनसा मृगराजवध्वा जातस्पृहैर्मुनिभिरप्यवलोकितानि ।।३३७।। the Heroic has been made to intervene between the Disgustful and the Erotic. 64. Even if two Passions are incompatible, they do not mar each other,—(a) when one is merely remembered, or (b) when it is intended to be equal to the other (in importance), or (c) when the two become subservient to a third Principal (Passion). 65. For instance, (a) in the following verse—‘Ayaṁ sa rashanotkarṣī &c. ‘This is that same hand &c.’ (see above,)—which contains the speech of the wife of Bhūrishravas when she saw his hand lying on the battle field,—the remembrance of her past experience, even though savouring of the Erotic, only serves to heighten the Pathetic. (b) In the following verse— ‘The teeth-marks and the nail-tearings made in your thrilling body by the blood-thirsty (loving) lioness (wo- man), were looked at even by the sages, with coveting eyes’.