काव्यप्रकाश (आचार्य मम्मट - सम्पूर्ण १० उल्लास सटीक)

302 KĀVYAPRAKĀŚA इत्यादौ वाचकमुखेन मनोरागस्तीव्रं विषमिव विसर्पत्यविरतं प्रमाथी निर्धूमं ज्वलति विधुतः पावक इव । हिनस्ति प्रत्यङ्गं ज्वर इव गरीयानित इतो न मां त्रातुं तातः प्रभवति न चाम्बा न भवती ॥३४२॥ इत्यादौ वाच्यमुखेनालंकारौ रसमुपकुरुतः ॥ चित्ते चिहुट्टदि ण तुट्टदि सा गुणेसुं सेज्जासु लोट्टदि विसप्पदि दिंमुहेसुं । बोलम्मि वट्टदि पवट्टदि कव्वबन्धे झाणेण तुट्टदि चिरं तरुणी तरट्टी ॥३४३॥ “ Remove the camphor ; throw away the garland ; what is the use of lotus-flowers ? O Friend, enough, enough of these lotus-stalks !”—Thus does the young girl go on speaking day and night.’ (2) In the following verse the Figure (Stringed Simile) adorns the Passion through the expressed meaning— ‘ The galling all-conquering love is freely circulating like poison ; it burns fiercely (smokelessly) like fire fanned by the wind ; it afflicts every limb, like high fever; neither father nor mother nor your ladyship is able to save me from this. In the following verse, the ornament (Alliteration) adorns only the words (and not the Passion depicted)— ‘ Chitte cihuṭṭadi ṇa tuṭṭadi sā guṇesuṁ Sejjāsu loṭṭadi visappadi diṁmuhesuṁ Bolammi vaṭṭadi pavaṭṭadi kavvabandhe Jhāṇeṇa tuṭṭadi chiraṁ taruṇī taraṭṭī.’ ‘ The young woman acts sensibly ; she is not devoid of excellences ; she rolls about on the bed, moves all round and talks freely ; she engages in poetical composition, and