काव्यप्रकाश (आचार्य मम्मट - सम्पूर्ण १० उल्लास सटीक)

306 KĀVYAPRAKĀŚA शृङ्गारे अर्थात् संभोगे । द्रुतिर्गलितत्वमिव । श्रव्यत्वं पुनरोजः प्रसादयोरपि ॥ ६८ ॥ करुणे विप्रलम्भे तच्छान्ते चातिशयान्वितम् । [अतिशयान्वितमिति] अत्यन्तद्रुतिहेतुत्वात् ॥ दीप्त्यात्मविस्तृतेर्हेतुरोजो वीररसस्थिति ॥ ६९ ॥ चित्तस्य विस्ताररूपदीप्तत्वजनकमोजः ॥ ६९ ॥ बीभत्सरौद्ररसयोस्तस्याधिक्यं क्रमेण च । वीराद्बीभत्से ततो रौद्रे सातिशयमोजः ॥ शुष्केन्धनाग्निवत् स्वच्छजलवत्सहसैव यः ॥ ७० ॥ व्याप्नोत्यन्यत् प्रसादोऽसौ सर्वत्र विहितस्थितिः ।

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It leads to 'mollification',—i.e., soft flow or melting as it were,—in the case of the 'Erotic', i.e., of the agreeable kind. As for mere melodiousness, it belongs to Floridity and Lucidity also (and as such cannot form the differentia of sweetness, as has been held by Bhāskara). 68. In the case of the Pathetic, the Privative—Erotic and the Quietistic, it (Sweetness) is present in an excessive degree. 'Present in an excessive degree'—because it leads to excessive mollification. Floridity, the source of the lustrous expanding of the heart, resides in the Heroic Passion. 69. [For the variant reading आत्मविस्मृतिः —Floridity the source of self- forgetfulness through illumination.] Floridity brings about that glow of the heart which appears in the form of its expansion. 69. It is present in an excessive degree in the Disgustful and Furious Passions, in order. In the Disgustful, Floridity is present, in a greater degree than in the Heroic; and in a still greater degree in the Furious.