काव्यप्रकाश (आचार्य मम्मट - सम्पूर्ण १० उल्लास सटीक)

314 KĀVYAPRAKĀŚA यद्यपि गुणपरतन्त्राः संघटनादयस्तथापि वक्तृवाच्यप्रबन्धानामौचित्येन क्वचित्क्वचित् । रचनावृत्तिवर्णानामन्यथात्वमपीष्यते ॥ ७७ ॥ क्वचिद्वाच्यप्रबन्धानपेक्षया वक्त्रौचित्यादेव रचनादयः । यथा मन्थायस्तार्णवाम्भःप्लुतकुहरचलन्मन्दरध्वानधीरः कोणाघातेषु गर्जत्प्रलयघनघटान्योऽन्यसंघट्टचण्डः । कृष्णाक्रोधाग्रदूतः कुरुकुलनिधनोत्पातनिर्घातवातः केनास्मत्सिंहनादप्रतिरसितसखो दुन्दुभिस्ताडितोऽसौ ॥ ३५० ॥ two ends where it has come into contact with the plump breasts and thighs —green in the middle where it did not come into contact with her slender waist —and ruffled by the throwing about of her unnerved arms.’ 76. [Although Construction, etc. are subservient to Excellence—] The diction, the compounds and the letters are sometimes altered, in accordance with the nature of (a) the speaker, (b) the subject and (c) the form (of the composition). 77. (a) In some cases the Diction &c., are made to accord with the nature of the speaker, irrespective of the subject or of the composition ; as an example of which we have the following— Manthāyastārṇavāmbhaḥplutakuhara-chalanmandaradhvānadhīraḥ Koṇāghāteṣu garjatpralayaghanaghaṭā-nyonyasaṅghaṭṭacaṇḍaḥ Kṛṣṇākrodhāgradūtaḥ kurukulanidhanotpātanirghātavātaḥ Kenāsmatsiṁhanādapratirasitasakho dundubhistāḍitosau. ‘By whom has this trumpet been blown,—appearing as it does like the echo of my lion-roar, the forward messenger of Draupadī’s wrath, the cyclone presaging the annihilation of the Kuru-race, resembling, at each stroke of the beating-stick, the terrible clash of the thundering