काव्यप्रकाश (आचार्य मम्मट - सम्पूर्ण १० उल्लास सटीक)

CHAPTER IX 347 सभङ्गाभङ्गरूपकेवलशब्दनिष्ठः । उदाहरणम्-- अरिवधदेहशरीरः सहसा रथिसूततुरगपादातः । भाति सदानत्यागः स्थिरतायामवनितलतिलकः ॥३८९॥ चकासत्यङ्गनारामाः कौतुकानन्दहेतवः । तस्य राज्ञः सुमनसो विबुधाः पार्श्ववर्तिनः ॥३९०॥ तथा शब्दार्थयोरयम् ॥ ८६ ॥ That is, it subsists merely in a word, either (1) broken or (2) unbroken. Example (a) Semblance of Repetition in ‘broken words’— ‘Arivadhadehasharīraḥ sahasā rathisūtaturagapādātaḥ Bhāti sadānatyāgaḥ sthiratāyāmavanitalatilakaḥ. ‘The King, the ornament of the Earth, is glorious, through his meekness, being the leader of archers longing for the destruction of enemies, whose infantry and cavalry are kept compact by charioteers, and who is quite a moun- tain in his firmness.’ [Here we have ‘Semblance of Repetition’ in -1) ‘deha—sharīra’, (2) ‘sārathi—sūta’ and (3) ‘dāna-tyāga’, and each of these cases involves the breaking of the words (1) ‘vadhadeha’, (2) ‘sahasā’ and (3) ‘sadā’ respectively.] (b) Example of ‘Semblance of Repetition’ in ‘un- broken words’— ‘Chakāsatyanganārāmāḥ kautukānandahetavaḥ Tasya rājñaḥ sumanaso vibudhāḥ pārshvavartinaḥ’. ‘Resplendent are the king’s attendants,—who are happy at home, who are the source of pleasure to him through their arts, well-disposed and learned.’ [Here we have the ‘Semblance of Repetition’ the words—(1) ‘anganā—rāmā’, (2) ‘kautuka-ānanda’, and (3) ‘sumanaso—vibudhāḥ’, in neither of which there is a breaking up of any word.] II–4