काव्यप्रकाश (आचार्य मम्मट - सम्पूर्ण १० उल्लास सटीक)

CHAPTER X 411 क्षितितिलक त्वयि तटजुषि शंकरचूडापगापि कालिन्दी ॥४९१॥ स्वभावोक्तिस्तु डिम्भादेः स्वक्रियारूपवर्णनम् ॥ १११ ॥ स्वयोस्तदेकाश्रययोः। रूपं वर्णः संस्थानं च। उदाहरणम्— पश्चादङ्घ्री प्रसार्य त्रिकनतिविततं द्राघयित्वाङ्गमुच्चैर् आसज्याभुग्नकण्ठो मुखमुरसि सटां धूलिधूम्रां विधूय । घासग्रासाभिलाषादनवरतचलत्प्रोथतुण्डस्तुरङ्गो मन्दं शब्दायमानो विलिखति शयनादुत्थितः क्ष्मां खुरेण ॥४९२॥ ॥ ११०-१११॥ व्याजस्तुतिर्मुखे निन्दा स्तुतिर्वा रूढिरन्यथा । contact with the rivulet of the ichor of your intoxicated elephants.’ 110-111. XXIV—Svabhāvokti—Natural Description. When, of the child and other things, their own action and form are described,—it is Natural Description. 110-111. ‘Their own’—i. e., (the Action and the form) as sub- sisting in themselves, ‘Form’—Colour and shape. Example.— ‘The horse, rising from sleep, extends his hind legs, stretches his body enlarged by the three dips on it back, brings his mouth to his chest, with his neck curved ; and flutters his dusted mane ; his lips quivering on account of his desire for grass ; and softly neighing, he is scratching the ground with his hoofs.’ 110-111. XXV.—Vyājastuti—Dissembling Eulogy. When, what, on the face of it, is praise or disparagement, turns out to be otherwise, it is Dissembling Eulogy. The name ‘Dissembling Eulogy’, ‘Vyājastuti’, is applied to this figure in the sense that it is a eulogy (‘stuti’) in the form of, or through dissimulation (‘vyāja’). II—8