काव्यप्रकाश (आचार्य मम्मट - सम्पूर्ण १० उल्लास सटीक)

420 KĀVYAPRAKĀŚA दूराद्दाडिमबीजशङ्कितधियः कर्षन्ति केलीशुकाः यद्विद्वद्भवनेषु भोजनृपतेस्तत् त्यागलीलायितम् ॥५०५॥ महतां चोपलक्षणम् ॥ ११५ ॥ उपलक्षणमङ्गभावः अर्थादुपलक्षणीयेऽर्थे । उदाहरणम्-- तदिदमरण्यं यस्मिन् दशरथवचनानुपालनव्यसनी । निवसन् बाहुसहायश्चकार रक्षःक्षयं रामः ॥५०६॥ न चात्र वीरो रसः तस्येहाङ्गत्वात् ॥११५॥ तत्सिद्धिहेतावेकस्मिन् यत्रान्यत्तत्करं भवेत् । समुच्चयोऽसौ ॥ Example— ‘ The pearls dropping from necklaces snapped in dalliance, which have become reddened by the foot-prints of lascivious girls walking about in the court-yard, are dusted aside with broom-sticks : mistaking them for pome- granate-seeds, the sportive parrots pick up these pearls :— that all this happens in the houses of learned men is the effect, O King Bhoja, of your munificence.’ (b) It consists also in the representation of great beings as adjuncts (to the thing exalted). 115 ‘ Adjunct ’—being subordinate,—i.e., to the thing described. Example— ‘ This is that same forest residing wherein Rāma, bent upon obeying the words of Dasharatha, with the help of his arms, brought about the destruction of demons.’ [Here the fact of Rāma being an adjunct, a resident of the forest, serves to exalt the latter ; it is the forest, which is the predominating factor [ and not the Heroic Sentiment ; as this latter is itself only a subordinate factor.]