कुमारसम्भवम् (महाकवि कालिदास - संस्कृत मूल एवं हिन्दी अनुवाद)

( १५४ ) addressed, i.e. whose cries were incoherent. असत्य- कण्ठार्पितबाहुबन्धना—न सत्यः असत्यः ( अविद्यमानः ); असत्ये कण्ठे अर्पितं ( दत्तं ) बाह्वो बन्धनं यया सा, having her arms thrown tight round an imaginary neck. Although there was no person at the time near about Parvati, yet she used to address words as if to some person present there and to throw her arms for embracing the person imagined to be present. व्यबुध्यत—( वि+ √बुध to get up+लङ्) woke up This verse is quoted in the Sahityadarpana as an instance of प्रलाप ( अलक्ष्यवाक् प्रलापः स्याच्चेतसो भ्रमाद् भृशम् ) । According to Mallinātha it describes जागर ( absence of sleep ) and उन्माद ( madness, in which incoherent words are uttered ). 57. CHANGE OF VOICE :—( किं ) च, त्रिभागशेषासु निशासु क्षणं नेत्रे निमील्य सहसा ( हे ) नीलकण्ठ ! ( त्वया ) क्व व्रज्यते, इति अलक्ष्यवाचा असत्यकण्ठार्पितबाहुबन्धनया ( अनया ) व्यबुध्यत ॥ ५७ ॥ HINDI TRANSLATION :—और, रात्रि के तीसरे (या चौथे) भाग के शेष रह जाने पर, मुहूर्त्तमात्र के लिये आंखों को बन्द करके ( अर्थात् सो कर ) अकस्मात् 'हे नीलकण्ठ ( शिव ) ! कहां जाते हो ?' इस प्रकार असंगत वाणी बोलती हुई ( तथा ) एक काल्पनिक गले में ही अपने बाहुओं को लपेटती हुई जग पड़ती थी ॥ ५७ ॥ ENGLISH TRANSLATION —Moreover, at night, when its third ( or fourth ) part only remained, she, having