भारतकोश
महावीरचरितम् (महाकवि भवभूति - वीररस-प्रधान रामकथा नाटक सम्पूर्ण ७ अङ्क सटीक)

महावीरचरितम् (महाकवि भवभूति - वीररस-प्रधान रामकथा नाटक सम्पूर्ण ७ अङ्क सटीक)

Mahaviracharitam of Mahakavi Bhavabhuti with Commentary

महाकवि भवभूति (टीकाकार: वीरराघव) द्वारा

DevanagariHindipublished204 पृष्ठ

पृष्ठ 14, कुल 204 में से

संदर्भ में पढ़ें
पृष्ठ 14

Contents [x PAGE PREFACE . . . . . . . . . . . xxix INTRODUCTION . . . . . . . . . . xxxv Bhavabhūti, his life, and his date . . . . . . . . xxxv

  1. Bhavabhūti's account of himself . . . . . . . xxxv
  2. His family-home, Padmapura in the Berars . . . . . . xxxvi
  3. Its identity with Padmāvatī (of the Mālatī-Mādhava) unproved . . xxxvi
  4. Further biographical details . . . . . . . . xxxvii
  5. Bhavabhūti's personality as inferred from his writings . . . xxxviii
  6. His date: traditional story about Kālidāsa and Bhavabhūti . . xxxix
  7. His works certainly influenced by Kālidāsa . . . . . xl
  8. Bhavabhūti probably later than Bāṇa (about A. D. 610) . . . xli
  9. Bh.'s identity with 'a pupil of Kumārila' (say 700–750) unproved . xli
  10. Bhavabhūti certainly earlier than Rājaśekhara (about A. D. 900) . xlii
  11. Date of Yaśovarman of Kanauj as determining that of Vākpatirāja . xliii
  12. Date of Vākpatirāja's Gaüḍavaho not far from A. D. 736 . . . xliii
  13. Bhavabhūti probably a little earlier than Vākpatirāja . . . xliv
  14. Bhavabhūti probably flourished near the close of the seventh century . xlvi Bhavabhūti's works . . . . . . . . . . xlvi
  15. Lost works of Bhavabhūti . . . . . . . . xlvi
  16. Bhavabhūti's extant works . . . . . . . . xlvii Excursus: History of the Rāma-story . . . . . . . xlvii
  17. Vālmīki's Rāmāyaṇa: its present form . . . . . . xlvii 18, A to 18, Q. Rāma-story as given in Vālmīki's Rāmāyaṇa . . xlviii
  18. Vālmīki's Rāmāyaṇa not the sole source of our play . . . lv
  19. Three forms of the Rāma-story in the Padma-Purāṇa . . . lv
  20. The later history of Rāma as given by the Padma-Purāṇa . . lvii
  21. Sources of the Rāmāyaṇa: historical element . . . . lviii
  22. The Rāmāyaṇa a blending of history and allegory . . . . lix
  23. Later modifications of the Rāma-story: 1. Buddhistic form . . lx
  24. Later modifications of the Rāma-story: 2. Jain forms . . . lx 26, A to 26, F. Later modifications of the Rāma-story: 3. Hindu forms . lxi Bhavabhūti's early plays: Mahāvīra-charita, Mālatī-Mādhava . . lxiii
  25. The Mahāvīra-charita . . . . . . . . lxiii
  26. Bhavabhūti's departure from the Rāmāyaṇa . . . . lxiv
  27. Technical significance of these changes . . . . . lxv
  28. Merits of the Mahāvīra-charita . . . . . . . lxvi
  29. Its defects . . . . . . . . . . lxvi