नाट्यशास्त्रम् (प्रथम भाग - अभिनवभारती एवं हिन्दी टीका सहित)

-IV. 167 ] DESCRIPTION OF THE CLASS DANCE 59

158. Elakākrīḍita—jumping with Talasañcara¹ feet and coming to the ground with the body bent and turned.

159. Urūdvṛtta—a hand made Āvṛtta (Vyavartita) and then bent and placed on the thigh, shanks made añcita and Udvṛtta.

160. Madaskhalitaka—two hands hanging down, the head assuming the Parivāhita gesture, the right and the left feet to be turned round in Āviddha Cārī.

• 161. Viṣṇukrānta—a foot stretched forward and bent as if on the point of walking, and hands to be Recita.

162. Sambhrānta—a hand with Āvartita (Vyavartita) movement placed on the thigh which is made Āviddha.¹

163. Viṣkambha—a hand to be Apaviddha,¹ Sūcī Cārī, foot to be made Nikuṭṭita and the left hand on the breast.

164. Udghaṭṭa—feet to in Udghaṭṭita¹ movements and hands in Talasaṁghaṭṭita movement² are to be placed on two sides.

165. Vṛṣabhakrīḍita—after observing the Alāta Cārī two hands to be made Recita, and afterwards these should to be made Kuñcita and Añcita.

166. Lolita—hands on the two sides to be Reicta and Añcita, and the head Lolita and Vartita.

167. Nagāpasarpita—to draw back feet from Svastika position and the head to be Parivāhita and hand to be Recita.

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158 (B.158. G.155). ¹ Same as agratalasañcara, see NŚ. X. 46.
159 (B.159, G.156).
160 (B.160, G.157). ¹ Defined nowhere in NŚ.
161 (B.161, G.158).
162 (B.162, G.159). ¹ Defined nowhere in NŚ.
163 (B.163, G.160). ¹ Defined nowhere in NŚ.
164 (B.164, G.161). ¹ Defined nowhere in NŚ.
² Defined nowhere in NŚ.
165 (B.165, G.162). ¹ Defined nowhere in NŚ.
166 (B.166, G.163).
167 (B.167, G.164). ¹ Defined nowhere in NŚ.