नाट्यशास्त्रम् (प्रथम भाग - अभिनवभारती एवं हिन्दी टीका सहित)

62 THE NĀṬYAŚĀSTRA [ IV. 167-

with the right foot, and then assuming successively Ākṣiptaka, Chinna, Bāhyabhramaraka, Uromaṇḍala, Nitamba, Karihasta, Kaṭiccheda Karṇas.

196-197. Svastikarecita¹—hands and feet are Recita, then assume Vṛścika K. and again repeat this movement of the hand and feet, and then Nikuṭṭaka K. and the Latā gesture alternately with the right and the left hand, and then Kaṭicchinna K.

197-200. Pārśvasvastika—assuming (Dik-) Svastika from one side and then the Ardhanikuṭṭaka, all these to be repeated on the side, then the Āvṛtta (vyaavartita) hand to be placed on the thigh, then to assume successively Urudvṛtta, Ākṣipta, Nitamba, Karihasta and Kaṭicchinna Karaṇas.

200-202. Vṛścikāpasṛta—assuming Vṛścika K. holding the Latā band to be held on the nose, after moving the same hand in Udveṣṭita movement, then assuming successively Nitamba, Karihasta and Kaṭicchinna Karaṇas.

202-204. Bhramara—assuming successively Nūpurapāda Ākṣiptaka Kaṭicchinna, Sūcīviddha, Nitamba, Karihasta, Uromaṇḍala and Kaṭicchinna Karaṇas.

204-206. Mattaskhalitaka—asuming Matalli K. and moving round the right hand and bending and placing it near the (right) cheek, then assuming (successively) Apaviddha. Talasaṁsphoṭita, Karihasta and Kaṭicchinna Karaṇas.

206-208. Madavilasita—moving with Dolā hands and Svastikāpasṛta feet, making hands Añcita as well as Valita and then assuming successively Talasaṁghaṭṭita, Nikuṭṭaka, rudvṛtta, Karihasta and Kaṭicchinna Karaṇas.

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195-197 (B.199b-201a, G.195-196). ¹ In the translation of this K. Ag. has been followed.

197-200 (B.201b-204a, G,197-199). ¹ In the translation of this K. I have followed Ag.

200-202 (B.204b-206a, G.200-201).

202-204 (B.206b-208a, G.202-203).

204-206 (B.208b-210a, G.204-205).

206-208 (B.210b-212a, G.206-207).