नाट्यशास्त्रम् (प्रथम भाग - अभिनवभारती एवं हिन्दी टीका सहित)

64 THE NATYASASTRA [ IV. 221-

221-223. Alātaka—assuming Svastika, vyamsita [in it hands being Recita], Alātaka, Ūrdhvajānu, Nikuñcita, Ardhasūcī, Vikṣipta, Udvṛtta, Ākṣipta, Krihasta and Kaṭicchinna Karaṇas one after another.

223-225. Pārśvaccheda--holding Nikuṭṭita hands on the breast assuming Ūrdhvajānu, Ākṣipta, Svastika Karaṇas, Trika to be turned round, then Uromaṇḍala, Nitamba, Kārihasta and Kaṭicchinna, Karaṇas to be assumed.

226-227. Vidyudbhrānta—assuming Sūcī K. using the left foot first, and Vidyubhrānta K. using the right, foot first, then Sūcī K. with the right foot moved first, and Vidyudbhrānta with the left foot moved first, afterwards assuming Chinna K., and turning round the Trika, then Latā and Kaṭicchinna Karaṇas.

227-229. Udvṛttaka--assuming Nūpurapāda Cārī hanging the right and the left hands by the side, and with them assuming Vikṣipta K., with these hands assuming [again] Sūcī K., and turning round the Trika [in Bhramarī Cārī] and then assuming Latā and Kaṭicchinna Karaṇas.

229-231. Ālīḍha—assuming Vyaṃsita K., striking the hands on the shoulder, and then Nūpura K., with the left foot [moving first], afterwards Alāta and Ākṣiptaka Karaṇas with the right foot [moving first] and then making Uromaṇḍala gestures with hands and assuming Karihasta and Kaṭicchinna Karaṇas.

231-233. Recita—showing Recita hand, bending it on one side and making the [same] Recita movement and then repeating this movement after bending the entire body, assuming successively Nūpurapāda, Bhujaṅgatrāsita, Recita, Uromaṇḍala and Kaṭicchinna Karaṇas.

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221-223 (B.225b-227a, G.221-222).
223-225 (B.227b-229a, G.223-224).
225-227 (B.229b-231a, G.225-226).
227-229 (B.231b-233a, G.227-228).
229-231 (B.233b-235a, G.229-230).
231-233 (B.235b-237, G.231-232).