नाट्यशास्त्रम् (प्रथम भाग - अभिनवभारती एवं हिन्दी टीका सहित)

XVIII

the stage, p. 43; 98-101. Evils following non-consecration of the stage, pp. 43-44.

CHAPTER FOUR

THE CLASS DANCE, Pages 45-75

1-14. Brahman writes the first play and gets it performed, pp. 45-46; 14-16. Two kinds of Preliminaries, pp. 46-47; 16-27. The Aṅgahāras, p. 47; 28-29. Uses of Aṅgahāras, p. 47; 29-61. The Karaṇas, pp. 47-49; 62-169. Definition of 108 the Karaṇas, pp. 49-60; 170-245. Definition of the Aṅgahāras, pp. 60-65; 246-252. The Recakas, pp. 65-66; 253-264. The Piṇḍībandhas, pp. 66-68; 265-272. The Sages speak on the use of dance, pp. 68-69; 273-274. The Vardhamānaka, p. 69; 275. The Āsārita, p. 69; 276. The Upohana, p. 69; 277-294. Entry of female dancers and the four kinds of Piṇḍīs, pp. 69-72; 295-308. The Chandakas, pp. 72-73; 309-310. The gentle dance, p. 73; 311-314. Occasions suited to dance, pp. 73-74; 315-320. Occasions when dances are prohibited; p. 74; 321-324. Playing of drums, pp. 74-75; 325-328. When drums are not to be played, p. 75

CHAPTER FIVE

THE PRELIMINARIES OF A PLAY, Pages 76-99

1-4. The sages question, 76; p. 5-6. Bharata answers, p. 76; 7. Preliminaries defined, p. 76; 8-16. Parts of the Preliminaries, pp. 76-77. 17. Pratyāhāra, and Avataraṇa, pp. 78; 18. Ārambha, and Āśrāvaṇā, pp. 78; 19. Vaktrapāṇi, Parighaṭṭanā, p. 78; 20. Saṃghoṭanā, Mārgāsārita, p. 79. 21. Āsārita and the Application of Songs, p. 79; 22-23. Utthāpana, p 79; 23-24. The Walking-round, p. 79; 24-25. The Benediction, 79; 25-26. Śuṣkāvakṛṣṭā Dhruvā, pp. 80; 26-27. Raṅgadvāra, p. 80; 27-28. The Cārī and the Mahācārī, p. 80; 28-29. Three Men's Talk, p. 80; 29-30. The Laudation, p. 80; 30-32. Origin of Bahirgīta and its justification, pp. 80-81; 33-36. Daityas and Rākṣasas provoked to jealousy, p. 81; 37-38. The gods approach Nārada to stop the Nirgīta, p. 81; 38-44. Nārada pacifies the gods, p. 82; 44-59. The gods are pleased with the Nirgīta (Bahirgīta), pp. 82-83; 60-64. Songs in pure Preliminaries, p. 84; 65-66. The first Walking-round, p. 84; 67-76. The second Walking-round, pp. 84-86; 77-84. The third Walking-round, pp. 86-87; 84-89. The fourth Walking-round, p. 87; 89-101. The Parivartanī Dhruvā, pp. 87-89; 101-104. The Fourth Man enters, p. 89; 104-107. Singing of the Avakṛṣṭā Dhruvā, pp. 89-90; 107-113. Examples of the Benediction, pp. 90-91; 113-116. An example of Śuṣkāvakṛṣṭā Dhruvā, p. 91; 116-119. Raṅgadvāra, p. 91; 119-127. Cārī, pp. 92-93; 127-137. Mahācārī, pp. 93-94; 137-141. The Three Men's Talk, p. 94; 141-142. The Laudation, pp. 94-95;