भारतकोश
नाट्यशास्त्रम् (प्रथम भाग - अभिनवभारती एवं हिन्दी टीका सहित)

नाट्यशास्त्रम् (प्रथम भाग - अभिनवभारती एवं हिन्दी टीका सहित)

Natyashastra of Bharata Muni with Hindi Commentary (Vol 1)

भरत मुनि / आचार्य अभिनवगुप्त द्वारा

DevanagariSanskritpublished654 पृष्ठ

पृष्ठ 18, कुल 654 में से

संदर्भ में पढ़ें
पृष्ठ 18

XXI

. hand gestures, p. 185 ; 166-167. Spheres of hand gestures, p. 186 ; 168-177. The quantity of gestures, pp. 186-187 ; 178-204. The Dance-hands, pp. 187-189 ; 205-211. The four Karaṇas of the hands, pp. 189-190 ; 212-214. The movements of arms. p. 190.

C H A P T E R T E N

THE GESTURES OF OTHER LIMBS, Pages 191-196.

1-9. The breast, pp. 191 ; 10-15. The sides, p. 192 ; 16-17. Uses of the sides, p. 192 ; 18. The belly. p. 192 ; 19-20. Uses of the belly, pp. 192-193 ; 21-24. The waist, p. 193 ; 25-26. Uses of the waist, pp. 193-194 : 27-31. The thigh, p. 194 ; 32-33 Uses of the thigh, p. 194 ; 34-37. The shank, pp. 194-195 ; 38-40. Uses of the shank, p. 165 ; 41-51. The feet and their uses, pp. 195-196 ; 52-54. The Cārīs, p. 196.

C H A P T E R E L E V E N

THE CĀRĪ MOVEMENTS, Pages 197-206

1-3. Definitions, p. 197 ; 4-6. Uses of the Cārīs, p. 197 ; 7-12. The thirtytwo Cārīs, pp. 197-198 ; 13-28. The earthly Cārīs, pp. 198-199 ; 29-49. The aerial Cārīs, pp. 199-201 ; 50-71. The Sthānas, pp. 201-203 ; 71-88. The four Nyāyas in using weapons, pp. 203-205 ; 88-91. The Sauṣṭhava, p. 205 ; 91-92. The Caturasra, p. 205 ; 92-94. The four acts relating to the bow, p. 205 ; 94-96. The method of exercise, pp. 205-206 ; 96-100 Health and nourishment of persons taking exercise ; p. 206.

C H A P T E R T W E L V E

THE MAṆḌALA MOVEMENTS, Pages 207-212

1-5. The Maṇḍalas, p. 207 ; 6-41. The aerial Maṇḍalas, pp. 207-210 ; 42-68. The earthly Maṇḍalas, pp. 210-212.

C H A P T E R T H I R T E E N

THE DIFFERENT GAITS, Pages 213-237

  1. Gaits for different characters, p. 213 ; 2-3. Entrance of dramatis personae, p. 213 ; 4-7. Posture for superior and middling characters at the entrance, p. 213 ; 8-10. The interval of their feet, pp. 213-214 ; 10-11. The time for their steps, p. 214 ; 12-14. The tempo of their Gait, p. 214 ; 15-24. The natural Gait, pp 214-215 ; 25-29 Gait of kings, p, 216 ; 30-34. Gait under special conditions, p. 216 ; 35-40. Tempo of Gaits under special conditions, pp. 217 ; 41-48. Gait in the Erotic Sentiment, pp. 217-218 ; 48-54. Gait in the Terrible Sentiment, p. 218 ; 54-56. Gait in the Odious Sentiment, p. 218 ; 57-58. Gait in the Heroic Sentiment, pp. 218-219 ; 59-60. Gait in the Marvellous and the Comic Sentiments, p. 219 ; 61-69. Gait in the Pathetic Sentiment, pp. 219-220 ; 70-75. Gait (of inferior characters) in the Terrible Sentiment, p. 220 ; 76-78. Gait of