नाट्यशास्त्रम् (प्रथम भाग - अभिनवभारती एवं हिन्दी टीका सहित)

XXX

The Daṇḍakāṣṭha, p. 434; 170-180. The making of masks, pp. 435-436; 180-187. Other accessories, p. 436; 187-198. The realistic and conventional objects, p. 437; 198-208. Making of ornaments, pp. 438-439; 208-211. Use of weapons on the stage, p. 439.

C H A P T E R T W E N T Y F O U R

THE BASIC REPRESENTATION, Pages 440-482

1-2. Importance of Temperament p. 440; 3. The definition of Temperament, p. 440; 4-5. Feminine graces in the drama, pp. 440-441; 6. Physical graces of women, p. 441; 7. The origin of these graces, p. 441; 8. Feeling, p. 441; 9-10. Emotion, p. 441; 11. Passion, p. 441; 12-13. Natural Graces of women, p. 442; 14. Sportive Mimicry, p. 442; 15. Amorous Gestures, p. 442; 16. Dishabille, p. 442; 17. Confusion, p. 442; 18. Hysterical Mood, p. 443; 19. Manifestation of Affection, p. 443; 20. Pretended Anger, p. 443; 21. Affected Coldness, p. 443; 22. Lolling, p. 443. 23. Want of Response, p. 443; 24. Involuntary Graces of women, p. 444; 25. Beauty, p. 444; 26 Charm, Radiance, p. 444; 27. Delicacy p. 444; 28. Self-control, p. 444; 29-30 Courage, Dignity, p. 444-445; 31. Eight aspects of the male Temperament, p. 445; 32. Brilliant Character, p. 445; 33. Graceful Bearing, p. 445; 34. Self-possession, p. 445; 35. Tenacity, pp. 445-446; 36. Gravity, p. 446; 37. Sportiveness, p. 446; 38. Nobility, p. 446; 39. Spirit, p. 446; 40-41. Histrionic Representation through the body, p. 446; 42. Word, p. 447; 43. Sūcā, p. 447; 44. Aṅkura, p. 447; 45. Śākhā, p. 447; 46-47. Nāṭyāyita, p. 447; 48. Nivṛtyaṅkura, p. 448; 49-51. Twelve forms of the verbal Rerpesentation, p 448; 52. Accosting, Prattling, p. 448; 53. Lament, Repeated Speaking, p. 448; 54. Dialogue, Change of Words, pp. 448-449; 55. Message, Agreement, p. 449; 56. Command, Pretext, p. 449; 57. Instruction, Statement, p. 449; 58-71. Another classification of the Verbal Representation, pp. 449-451; 72-73. The basic Representation, p. 451; 74-75. Regular Histrionic Representation, p. 451; 76-77. Irregular Histrionic Representation, p. 451; 78. Lakṣaṇa defined, p. 452; 79. Practice preferred to the Śāstra, p. 452; 80. Representation of the sensual perception, p. 452; 81. Sound, p. 452; 82. Touch, p. 452; 83. Form, p. 452; 84-85. Taste and Smell, pp. 452-453; 86. Importance of the mind, p. 453; 87. The three aspects of the of the mind p. 453; 88-89. The favourable mind, p. 353; 90. The unfavourable mind, p. 453; 91-92. The indifferent mind, p. 453; 93. The meaning of "personal", and the meaning of "external", pp. 453-454; 94-95. Desire, p. 454; 95-96. Love, p. 454; 97-98. Erotic Affair, p. 454; 89-100. Various types of women, p. 454; 101-102. The woman of divine type, pp. 454-455; 103-104. The woman of Asura type, p. 455; 105-106. The woman of Gandharva type, p. 455; 107-108. The woman of