नाट्यशास्त्रम् (प्रथम भाग - अभिनवभारती एवं हिन्दी टीका सहित)

XXXV

External persosn, pp. 535-536; 78-82 The king, p. 536; 82-83. The leader of the army, p. 536; 84-85. Councillors, pp. 536-537; 85-87. Judges, p. 537; 87-90. Courtiers, p. 537.

CHAPTER THIRTYFIVE

DISTRIBUTION OF ROLES, Pages 538-552

1. Distribution of Roles, p. 538; 2-4. General principles of distribution, p. 538; 5-6. The role of gods, p. 538; 7-8. The role of Rākṣasas, the Dānavas etc, pp. 538-539; 9-11, The role of kings, p, 539; 12-13. The role of army leaders and councillors, p, 539; 14, The role of the Kañcukin and the Śrotriya, p, 539; 15-17, The role of minor characters, p. 539-540; 19, The role of fatigued persons, The role of persons without disease, pp, 440; 19-21. Special cases of assigning roles, p, 540; 22-23. The roles of characters with extra or special limbs, pp. 540-541; 24. The first entry of a character. p. 541; 25-26. The result of proper impersonation, p. 541; 27. The psychological preparation for impersonation, p. 541; 28. The three kinds of impersonation, p. 541; 29. The natural impersonation, p. 541; 30, The unnatural impersonation, p. 541; 31-33. Imitative representation, p. 542; 33-36. Suitability of women in some roles, 542; 37. Training for women in different roles, p. 524; 38. Result of proper assignment of roles, pp 542-543; 39-41. Result of employing women for acting, p. 543; 42. The two types of dramatic production, p. 543; 43-47. The delicate type of production, pp. 543-544; 48-53. The violent type of production, pp. 544-545; 53-59. The typical impersonation of a king; p 545; 59-62. Impersonation of the attendants of gods, p. 546; 62-68. The characteristics of a Director, pp. 546-547; 69-71. The natural qualities of a Director, p. 547; 71-72. Characteristics of an Assistant to the Director, p. 547; 72-73. Characteristics of an Actor, p. 547; 73-44. Characteristics of the Parasite, p. 547; 75. Characteristics of the Śakāra, pp. 547-548; 76. Characteristics of the Jester, p. 548; 77. Characteristics of the servant, p. 548; 78-81. Characteristics of the courtezen, p. 548; 81-83, Characteristics of the typical Heroine, p. 548; 83-85. Women disqualified to be Heroines, p. 549; 85-89. Members of the typical theatrical party, p. 549; 89-91. Characteristics of the Jester, pp. 549-550; 91-92. Characteristics of the master musician, p. 550; 92-93. Meaning of the word Naṭa, p. 550; 93-95. Benediction defined. p. 550; 96-97. Characteristics of the playwright, p. 551; 97-98. Characteristics of the Actor, p. 551; 98-99. Characteristics of the actress, p, 551; 99-100. The maker of headgears, p. 551; 100-101. The maker of ornaments, p. 551: 101-102. The maker of garlands, the costumer, the painter and the dyer, p, 551; 103-104. The Craftsmen, the Kuśīlavas, p, 552; 104-135. The other members of the party, p. 552.