नाट्यशास्त्रम् (प्रथम भाग - अभिनवभारती एवं हिन्दी टीका सहित)
Natyashastra of Bharata Muni with Hindi Commentary (Vol 1)
भरत मुनि / आचार्य अभिनवगुप्त द्वारा
पृष्ठ 405, कुल 654 में से
संदर्भ में पढ़ें320 | THE NATYASASTRA | [ XVII. 106-
described in relation to the Erotic and the Marvellous Sentiments and the various States, it is [an instance of] Exaltedness (udātta)$^1$.
106. That which [in a composition] while describing the sportive movement of [a character] delights the ear and the mind just as the moon [pleases us], is [an instance of] Loveliness (kānti)$^1$.
Alaṃkāras, and Guṇas according to Sentiments
107. These are the figures of speech, faults and Guṇas [available in a poetical composition]; I shall now describe their application in connexion with different Sentiments.
Sounds and Figures of Speech according to Sentiments
108. The poetical composition in connexion with the Heroic, the Furious and the Marvellous Sentiments should consist mostly of light syllables and should include similes and metaphors.
109-110. In the Odious and the Pathetic Sentiments it (the composition) should be similar except that it should consist mostly of heavy syllables.
Metres according to Sentiments: in the Heroic and the Furious Sentiments
Whenever any act of boldness is described (lit. occurs) in connexion with the Heroic and the Furious Sentiments, it (the composition) should be in the Āryā metre and should have metaphor and Condensed Expression in it.
In the Erotic Sentiment
In the Erotic Sentiment the composition should be in gentle metres.
$^1$ Cf. Vāmana, III. 1. 23; Daṇḍin, I. 76-78. B.(XVI. III.) and C(106) give along with this a definition of the Guṇa named udāra. In translation it is as follows : When the composition includes witty and graceful words having many special senses which are marvellous, it is [an instance of] Exaltedness (udātta).
106 (C.p.212 f. n. 5; B.XVI.112). $^1$ Cf. Vāmana, III. 1. 25; Daṇḍin, I. 85-88. C (107), gives an additional definition of this Guṇa, which in translation is as follows ; When a composition gives delight to the ears as well as to the mind on account of its well-put-together words, it is [an instance of] Loveliness (kānti).
107 (C.108; B.XVI.113). 108 (C.109; B.XVI.114).
109-110 (C.110-111; B.XVI.115-116).