भारतकोश
नाट्यशास्त्रम् (प्रथम भाग - अभिनवभारती एवं हिन्दी टीका सहित)

नाट्यशास्त्रम् (प्रथम भाग - अभिनवभारती एवं हिन्दी टीका सहित)

Natyashastra of Bharata Muni with Hindi Commentary (Vol 1)

भरत मुनि / आचार्य अभिनवगुप्त द्वारा

DevanagariSanskritpublished654 पृष्ठ

पृष्ठ 439, कुल 654 में से

संदर्भ में पढ़ें
पृष्ठ 439

354 THE NATYASASTRA [ XIX, 76-

one should observe proper rules relating to the utterance of notes and their Alaṃkāras.

  1. Alaṃkāras and Pauses that have been prescribed in case of Sanskritic Recitation should all be observed in un-Sanskritic (Prakritic) Recitation of women as well.

  2. Thus in the representation of the ten kinds of dramatic works (rūpa) producers should prepare Recitation subject to an observance of proper notes, Kalā, time (tāla) and tempo (laya).

  3. Rules of intonation have been described [by me] in proper sequence. I shall describe hereafter the ten kinds of dramatic work.

Here ends Chapter XIX of Bharata’s Nāṭyaśāstra which treats of the Display of Intonation in Connexion with the Verbal Representation.

76 (C. 76; B.XVII. 148).
77 (C. 77; B.XVII.149).
78 (C. 78; B. XVII. 150)