नाट्यशास्त्रम् (प्रथम भाग - अभिनवभारती एवं हिन्दी टीका सहित)

-XXIV. 11 ] THE BASIC REPRESENTATION 441

three kinds, next the natural (sahaja)^3 change of ten kinds, and involuntary (a-yatnaja)^4 change, of seven kinds.

Physical Graces of women

6. Feeling (bhāva), Emotion (hāva) and Passion (helā) arising from one another being different aspects of Temperament (sattva) [are Graces] connected with the physical nature^1.

The origin of these Graces

7. Temperament partakes of the nature of the body, and feeling (bhāvā) arises from Temperament, while Emotion (hāva) from Feeling, and Passion (helā) from Emotion^1.

Feeling

8. See NŚ. VII. 2. Cf. [Feeling (bhāva) is the first touch of emotion in a nature that was previously unaffected. DR. II. 33].^1

Emotion

9. Temperament with excessive Feeling (bhāva) [manifests itself] in relation to persons of the opposite sex. And Emotion (hāva) should be marked as relating to its various conditions.^1

10. In the same connexion (lit. there) Emotion (hāva) should be known as arising from the mind (citta) and manifesting itself in changes of eyes and eye-brows and the Recaka of the neck, indicative of the Erotic Sentiment.^1

Passion

11. Everyone's Emotion which depends on the Erotic Sentiment and expresses itself as graceful movements (lalitābhinaya) is called Passion (helā) by the wise.^1

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^3 See DR. II. 32-33a; ND. p. 203.
^4 See DR. II. 31; ND. p. 203.
6 (C.6; K.XXII.6). ^1 Cf. DR. II. 30b.
7 (C.7; K.XXII.7). ^1 Cf. DR. II. 33b-34b.
8 (C.8; K.XXII.8), ^1 Cf. DR. II. 33b; ND. p.204. BhP. p.8. l.4-10.
9 (C.9; K.XXII.9). ^1 See below 10. note 1. K. reads 9a as भावस्यातिशतं सत्त्वं व्यतिरिक्तं च योनिषु.
10 (C 10; K.XXII. 10). ^1 According to ND. (p.204) the bhāva relates to a slight manifestation of erotic feelings through words and gestures, while the hāva to a very clear expression of one's emotion through various gestures.
11 (C.11; KXXII.11). Cf. DR. II. 34b; BhP. p.8, l.13-14. According

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