प्रियदर्शिका नाटिका (सम्राट हर्षवर्धन - चतुरङ्क शास्त्रीय नाटिका सान्वय सटीक)

2 Gauri's case she had already seen S'iva before the marriage ह्रिया--She felt shame for fear of being observed by Brahmá who was there serving as the uniting priest. आनत०—may also be separated as नत०. भूयोह्न्रिया may also be taken as a comp. word (through excessive shame); but this is not very satisfactory. सेर्ष्या--Full of jealousy; for she saw Gangá on the head of S'iva's image as mirrored in her bright nails. At first she had not seen her as she dared not look long at S'iva in the presence of Brahmá. Párvati is often represented as jealous of Gangá regard- ed as her co-wife. Cf. Mud. I. 1; तद्युक्तं वधूपार्श्वं मम पुरो निर्लज्ज- योद्युताय; Ratná. I. śl. between 2 and 3. पादनखेन्दु०—For comp. see com.; the double comparison is rather unpoetic. Strangely enough Sans. poets represent the nails of fine ladies (and also of men) as lustrous enough to take in images. Cf. तिङ्मणिमुकुरपुटेन ........अनुचेनाह्वत इव चरणनखेषु निपपात । Kád. p. 292. स्पर्शोत्पुलका—The standing of the hair on end caused by touch is one of the eight Sátvika Bhávas (or involuntary manifesta- tions of strong feeling). It is considered as the first outward indication of love and is often referred to by poets; cf. Vik. I. 11; Kum. VII. 77 (रोमोद्गमः प्रादुद्भूदुमायाः), Ragh. VII. 22. &c. Cf. with this śl. आदौ वेगफणायिता हरमुखव्यापारलोला शनैर्ब्रीडाभारविघूर्णिता मुकुलिता तूष्णीदमव्याभृतः । पत्युः संमिलिता दृशा सरभसव्यापर्तनव्याकुला पार्वत्याः परिणतिमङ्गलविधौ दृष्टिः शिवायास्तु वः ॥ Pár. p 1. l. 1. कैलासाद्रौ &c.—The reference here is to Rávana's lifting up the mountain Kailása when it was shaken to its foundation, causing alarm to Párvatí and others who lived on it. To quiet Párvati's fear S'iva pressed down the mountain with his foot and Rávana escaped being crushed under it only by pacifying the deity. This is also constantly referred to by poets; cf. कैलासशिखरेण दशमुखीमपूतनखोन्निपातिता; Kád. p. 211; समुत्सिपन्धः पृथिवीभृतां वरे शरप्रदानस्य चकार शूलिनः । असमुपाराद्धिसुताससंभ्रम- स्वदोर्महाक्षेपसुखेन निष्कयम् ॥ Sis.' I. 50; गावा चोर्ध्वं दशमुखभुजोच्छ्वासितप्रस्थसन्धेः कैलासस्य &c. Meg. I. 61; see also Rámá, Uttar. K. canto XVI. Construe उद्गस्ते कैलासाद्रौ सचलति सति गणेषु सत्रासकौतुकेषु सत्सु, कुमारे मातुः क्रोडं विशति सति विभूषने सरोषं पश्यति सति पादाङ्गुष्ठे दशमुखे पातालमूलं याति सति क्रुद्धोपि उमया भयघनम् आलिङ्गितः अतः तुष्टः शिवः वः पातु.

• उद्गस्ते—Trown or torn up. गणेषु—The gaṇas are the atten- dants of Śiva, being a race of demigods called Pramathas and are under the superintendance of Ganeśa, one of the demigods. They are thus described in the Káliká P.—विचित्रकुसुमाभरणा जटाश्चन्द्रार्धमण्डि- ताः । आकाशमार्गे गच्छन्तमब्रुवञ्छान्ति निग्रहाः ॥ ध्यानस्थं परिचर्यन्ति ललिताङ्गिमिरौ- श्वरम् । मानाशस्त्रधराः शम्भोर्गणास्तु प्रमथाः स्मृताः ॥ &c. सत्रास०—Their