प्रियदर्शिका नाटिका (सम्राट हर्षवर्धन - चतुरङ्क शास्त्रीय नाटिका सान्वय सटीक)

37 ŚL. 13. वीक्षितं—P p p used as a noun (वीक्षणं), cf. with this भ्रूभङ्गे सहसोद्गतेऽपि वदनं भीतं परो नह्यतामीषन्मो प्रति भेदकारि हसितं नोक्तं वचो निष्ठुरम् । अन्तर्बाष्पजडीकृतं प्रभुतया चक्षुर्न विस्फारितं कोपश्च प्रकटीकृतो ऽविनय। मुक्त्वा च नम्रः ॥ Rat. II. 21. अपूर्वोऽयं कोपप्रकारः—Cf प्रिये अपूर्वोऽयमुपचारः। Māl. IV. p. 84. आरण्यिके म्वं कुपितेति—Here Vāsa.'s jealousy is well brought out. In this scene she is represented as ईर्ष्यारूषायिता. Bhāsa does not degrade her down to the level of ordinary women. But the cannons of dramaturgy require the chief queen in a Nāṭikā to be jealous at every step. See Intro. p. 9. आरण्यिका— णाहं &c.—This was true; see supra note on सदोषमिव p. 40. गृहाणेनां—In the Rat also Sâgarikâ and Vidû. are similarly treated See Act III p. 79. भवति भय कोदृशी &c.—This defence of the King by his friend, though ridiculous in the eyes of the Queen, has some point in it from Vidû 's own stand point. He means—This being the time of the Kaumudī festival some liberty of action may be allowed to men. And so my friend acted that way just to see how you would take it and thus to enjoy the fun Hence the king finds in this a crutch on which to lean. See śl 14, last line P. 44. दुर्नयं—ill advised course of conduct, mischievous or wrong policy, misbehaviour. She says दुण्र्णयं because she knows that Vidû. (whom she has already called आरण्यकानाटकके सत्रधार ) is the King's principal accomplice in love-intrigues. विकल्पित—P p p used as a noun; wrong supposition, suspicion (of a thing). Śl 14. भ्रूभङ्गैः—भ्रूवोः भङ्गः भ्रूभङ्ग the knitting of the eye- brows; a frown. भ्रूभङ्गैः the repeated knittings or frowns The frown disfigured her fair face. कलाटशशिन – ०शशी that is now spotless and so superior to the moon. The comparison shows that the moon meant here is the moon of the 8th day of the bright half of a month; cf अष्टमीचन्द्र- शकलाकार ललाटदेशमुद्वहन्तं Kâd. p. 19, 26. बन्धूजीवसमतां—The बन्धु० flower is bright red and hence the lip is compared to it; see supra p. 13, note on बन्धूक. मष्या स्थियते—suffers pain, is oppressed with the burden of; for the idea cf. क्रीडन्त्वाः पीडयेत स्तनभर- विणमन्मध्यमक्लानपक्ष्व् । Rat. 1. 16. अकृतेव प्रसादे &c.—The king uses the same words in the Rat. when Vāsa leaves him without minding his prostration at her feet; see Act III. p. 77. 4