प्रियदर्शिका नाटिका (सम्राट हर्षवर्धन - चतुरङ्क शास्त्रीय नाटिका सान्वय सटीक)

`44

अलिकशङ्किते—Falsely observing reserve or affecting modesty, has here the force of 'thou naughty or obstinate girl.' P 58 कृतमस्माकं यथारुचि &c.—In the Rat the King says— को देव्या प्रसादो न बहुमन्यते । अतोऽपि परं &c.—This is the usual expression marking the close of a drama (the Sans drames always having a good end) This is called काव्यसंहार. Śl 11 Another feature of the Sans drama is to enumerate good results attained in the stanza preceding the Bharatavâkya, cf. Rat. IV 21 त्वं कौविन्द &c.—So in Rat देवी धीनिपुणागता P 59 भरतवाक्यं—Lit The speech of the actor ( भरत )' technically called प्रशास्ति It is a sort of stage direction. It refers to the concluding sl of a play containing an expression of good wishes put in the mouth of the chief actor, as a member of the dramatic party and not in the role of a dramatic personage, all acting being over or the Vâkya enjoined by Bharata, the founder of dramatic art Śl 12. This Sl. occurs as the closing stanza of the Ratna- vali also with some variations in the last two lines उद्दाम— दाम्नो उद्गतानि उद्दामानि Prâdi Tat growing unchecked,