भारतकोश
वासवदत्ता (महाकवि सुबन्धु - श्लेष-प्रधान शास्त्रीय गद्यकाव्य सान्वय सटीक)

वासवदत्ता (महाकवि सुबन्धु - श्लेष-प्रधान शास्त्रीय गद्यकाव्य सान्वय सटीक)

Vasavadatta of Mahakavi Subandhu with Commentary

महाकवि सुबन्धु द्वारा

DevanagariHindipublished244 पृष्ठ

पृष्ठ 56, कुल 244 में से

संदर्भ में पढ़ें
पृष्ठ 56

36 VĀSAVADATTĀ Τὰ κατὰ Δρόσιλλαν καὶ Χαρικλέα, 2. 169–179, 202–223, 240–277, 284–314; 5. 199–247; Eustathios, Τὸ καθʼ Ὑσμίνην καὶ Ὑσμινίαν δρᾶμα, 9. 8; 10. 2; cf. Rohde, op. cit. pp. 513, 566); fainting (Chariton, Τὰ περὶ Χαιρέαν καὶ Καλλιρρόην, 1. 4; 2. 7; 3. 6; 4. 5; 8. 1; cf. Rohde, op. cit. p. 172, where the parallel with the Vāsa- vadattā is noted); long-winded lamentations (Niketas Eugenianos,

  1. 226–257, 289–352; 2. 8–23; 4. 110–150; 5. 131–168, 183– 193; 6. 34–94, 204–234, 306–327; 8. 84–130, 196–238; 9. 37– 107; cf. Rohde, op. cit. p. 566); and threatened suicide (Chari- ton, 1. 5; 5. 10; 6. 2; 7. 1; 8. 8; cf. Rohde, op. cit. p. 527). The following parallels of literary device, similarly restricted, may also be noted : stories within stories and episodes (the adventures of Derkullis and the sub-episode of Astraios in the lost Τὰ ὑπὲρ Θύλην ἄπιστα; the story of Aigialeus in Xenophon Ephesaios, Τὰ κατὰ Ἄνθειαν καὶ Ἀβροκόμην Ἐφεσιακά, 5. 1; and the stories of Knemon in Heliodoros's Αἰθιοπικά, 1. 9–14; 2. 8–10; and of Kala- siris, ib. 2. 24–5. 1; 5. 17–33; with the sub-episode of Charikles, ib. 2. 29–33); descriptions of nature (Niketas Eugenianos, 1. 77– 115; Achilles Tatios, 1. 15; Longos, Ποιμενικὰ τὰ κατὰ Δάφνιν καὶ Χλόην, 4. 2–3); detailed personal descriptions (Achilles Tatios,
  2. 1; Niketas Eugenianos, 1. 120–158; cf. Rohde, op. cit. pp. 160– 166); learned allusions and citations of precedents (Longos, 1. 16; 4. 17; Achilles Tatios, 1. 8; 2. 36–37); and alliteration, parisoi, homoioteleuta, and similar figures of rhetoric which cor- respond in a sense to the Sanskrit anuprāsa (Achilles Tatios, 1. 1–2; 2. 7; 3. 2, 7; 4. 4; 5. 1, 21; Longos, preface; 1. 18, 30;
  3. 35; 3. 3, 24, 33, 34; 4. 18; Eustathios, 1. 4; 2. 13; 4. 1, 3, 12, 21; 5. 11; 7. 13; cf. Rohde, op. cit. pp. 552–553, 561), although they often form rhymes (Achilles Tatios, 1. 1, 11; Longos, pre- face; 2. 26; 3. 13, 23; 4. 17, 28; Eustathios, 1. 9) and strained compounds (Niketas Eugenianos, 1. 133; 2. 143; 3. 121; 5. 341;
  4. 48; cf. Rohde, op. cit. p. 567). Yet all these parallels, and many more which might be cited, seem to me to prove nothing. In the first place, a large number of them can be considered parallels only by straining the sense of the term; and in the second place, they are obviously the out-