वासवदत्ता (महाकवि सुबन्धु - श्लेष-प्रधान शास्त्रीय गद्यकाव्य सान्वय सटीक)
Vasavadatta of Mahakavi Subandhu with Commentary
महाकवि सुबन्धु द्वारा
पृष्ठ 58, कुल 244 में से
संदर्भ में पढ़ें38 VĀSAVADATTĀ roguery, moreover, bear no resemblance, either in plot or in episode, to the amorphisms of Eustathios and his fellows. To sum up, the spirit of the Sanskrit and of the Greek romancers is as divergent as the audiences of scholars on the one hand, and of weaklings on the other, for whom they wrote ; nor can any real affinity, much less any direct connexion, be traced between the romances of India and of Greece. The Double Recension of the Vāsavadattā. Like the Mahābhārata and the Rāmāyaṇa, the Vāsavadattā appears to be preserved in two distinct recensions, which I would tentatively call ‘northern’ and ‘southern.’ The first of these is represented by the text of Hall (Calcutta, 1859) and the second by the Madras edition of 1862, reprinted as an appendix to the present volume, as well as by Krishnamachariar’s text (Srirangam, 1906– 1908). The ‘southern’ text, to which Hall’s manuscript D seems also to belong, differs from the ‘northern’ chiefly in showing a large number of interpolations, particularly śleṣas, virōdhas, and other forms of similes appended to the series given by the ‘northern’ text. The spirit, however, of the ‘southern’ recension is identical with that of the ‘northern.’ There is, indeed, one omission of a complimentary allusion to the Buddhists (ed. Hall, p. 235) and of one derogatory reference to the Jains (ed. Hall, p. 297 ; cf. above, p. 7), but the retention of all other deprecia- tory mentions of both sects shows that the ‘southern’ redactor was not led to modify his text by any circumstances surrounding him ; nor is there any added allusion in the ‘southern’ text which seems to be specifically South Indian. It may be regarded as practically certain that the ‘northern’ text represents Subandhu’s original composition more closely than does the ‘southern’ recension, not only in view of the fact that the author of the romance was, in all probability, a native of northern India, where he almost indubitably wrote (cf. above, pp. 12–13), but also in consideration of the familiar principles of textual criticism that the shorter text is, other things being equal, to be preferred to the longer, and that the more difficult reading is to be preferred to the easier, since the ‘southern’ recension evidently seeks, by