काव्यप्रकाश (आचार्य मम्मट - सम्पूर्ण १० उल्लास सटीक)

CHAPTER IV 63 तत्र शृङ्गारस्य द्वौ भेदौ। संभोगो विप्रलम्भश्च। तत्राद्यः परस्परावलोकनालिङ्गनाधरपानपरिचुम्बनाद्यनन्तत्वादपरि- च्छेद्य एक एव गण्यते। यथा शून्यं वासगृहं विलोक्य शयनादुत्थाय किंचिच्छनै- र्निद्राव्याजमुपागतस्य सुचिरं निर्वर्ण्य पत्युर्मुखम् । विस्रब्धं परिचुम्ब्य जातपुलकामालोक्य गण्डस्थलीं लज्जानम्रमुखी प्रियेण हसता बाला चिरं चुम्बिता ॥३०॥ तथा त्वं मुग्धाक्षि विनैव कञ्चुलिकया धत्से मनोहारिणीं लक्ष्मीमित्यभिधायिनि प्रियतमे तद्वीटिकासंस्पृशि । शय्योपान्तनिविष्टसस्मितसखीनेत्रोत्सवानन्दितो निर्यातः शनकैरलीकवचनोपन्यासमालीजनः ॥ ३१ ॥ and (8) the Marvellous have been described as the eight Passions in the Drama.—(29). Of the Erotic there are two varieties—(1) in union and (2) in privation ; of these the former is counted as one only, any classification of it being impossible by reason of the endless variety of its manifestations, in the form of mutual glances, kissing, embraces, and so forth. Examples— (a) ‘Finding the love-chamber empty, she rose gently from the couch and having intently gazed at the face of her husband who was feigning sleep, she kissed him with confidence ; but noticing a tremor in his cheeks, she hung her head through shame and was repeatedly kissed by her smiling lover’. [Here the first overture comes from the woman].— (b) “ ‘O thou of lovely eyes, thou appearest heart- ravishing without the bodice ’—saying this the lover