काव्यप्रकाश (आचार्य मम्मट - सम्पूर्ण १० उल्लास सटीक)

64 KĀVYAPRAKĀŚA अपरस्तु--अभिलाषविरहेर्ष्याप्रवासशापहेतुक इति पञ्चविधः । क्रमेणोदाहरणम्— प्रेमार्द्राः प्रणयस्पृशः परिचयादुद्गाढरागोदया- स्तास्ता मुग्धदृशो निसर्गमधुराश्चेष्टा भवेयुर्मयि । यास्वन्तःकरणस्य बाह्यकरणव्यापाररोधी क्षणा- दाशंसापरिकल्पितास्वपि भवत्यानन्दसान्द्रो लयः ॥ ३२ ॥ अन्यत्र व्रजतीति का खलु कथा नाप्यस्य तादृक् सुहृद् यो मां नेच्छति नागंतश्च हहहा कोयं विधेः प्रक्रमः । इत्यल्पेतरकल्पनाकवलितस्वान्ता निशान्तान्तरे बाला वृत्तविवर्तनव्यतिकरा नाप्नोति निद्रां निशि ॥ ३३ ॥ touched the knot of the bodice ; whereupon her friends, delighted at the look of rapture in the eyes of their smiling companion seated upon the couch, went out on various pretexts.” [Here the overture comes from the man]. The other kind of the Erotic (that in Privation), is of five kinds, the feeling being due to (a) longing, (b) separa- tion, (c) jealousy, (d) residence abroad, and (e) curse. Examples in order— (a) ‘May the behaviour of the fair-eyed one towards me be steeped in affection and full of love and naturally sweet !, that behaviour in which love has been intensified by ripening acquaintance, and the mere thought of which immerses the heart in a flood of joy, suspending the func- tioning of all external organs.’ (b) ‘Has he gone elsewhere ?—What possibility is there of that ? He has no such friend as does not want me. And yet he has not come ! Oh ! What an irony of fate !—Having her heart devoured by these consider- able vascillations, the girl rolls about in her bed and does not obtain sleep.’