काव्यप्रकाश (आचार्य मम्मट - सम्पूर्ण १० उल्लास सटीक)

CHAPTER IV 65 एषा विरहोत्कण्ठिता । सा पत्युः प्रथमापराधसमये सख्योपदेशं विना नो जानाति सविभ्रमाङ्गवलनावक्रोक्तिसंसूचनम् । स्वच्छैरच्छकपोलमूलगलितैः पर्यस्तनेत्रोत्पला बाला केवलमेव रोदिति लुठल्लोलालकैरश्रुभिः ॥ ३४ ॥ प्रस्थानं वलयैः कृतं प्रियसखैरस्रैरजस्रं गतं धृत्या न क्षणमासितं व्यवसितं चित्तेन गन्तुं पुरः । यातुं निश्चितचेतसि प्रियतमे सर्वे समं प्रस्थिता गन्तव्ये सति जीवित प्रियसुहृत्सार्थः किमु त्यज्यते ॥ ३५ ॥ त्वामालिख्य प्रणयकुपितां धातुरागैः शिलाया- मात्मानं ते चरणपतितं यावदिच्छामि कर्तुम् । अस्रैस्तावन्मुहुरुपचितैर्दृष्टिरलुप्यते मे क्रूरस्तस्मिन्नपि न सहते संगमं नौ कृतान्तः ॥ ३६ ॥ The girl depicted here is anxious in separation. (c) ‘ On the occasion of her husband’s first delin- quency, not having been instructed by her friend, she knows not how to make any graceful gestures or poignant remarks ; all that she does is to turn away her lotus-like eyes and weep with tears flowing down her cheeks and rolling over her dishevelled tresses’. (d) ‘ The Bracelets have gone ; your dear friends the Tears have freely departed ; Patience stayed not for a moment ; the Mind determined to go forward ;—on my beloved having made up his mind to depart, all these have started together ; O Life ! as you also have to go, why are you losing the company of your dear friends ?’ (e) ‘ Having painted thee in a mood of loving dis- pleasure, on a slab of stone with mineral pigments,—as 5