काव्यप्रकाश (आचार्य मम्मट - सम्पूर्ण १० उल्लास सटीक)
Kavyaprakasha of Mammata with Hindi Commentary
आचार्य मम्मट / पं. विश्वेश्वर सिद्धान्तशिरोमणि द्वारा
पृष्ठ 134, कुल 616 में से
संदर्भ में पढ़ेंCHAPTER IV 81 अविरुद्धावपि त्वदनुवर्तनार्थमेकं कार्यं कुरुत इति ध्वन्यते । अर्थशक्त्युद्भवोप्यर्थो व्यञ्जकः संभवी स्वतः ॥ ३९ ॥ प्रौढोक्तिमात्रसिद्धो वा कवेस्तेनोम्भितस्य वा । वस्तु वालंकृतिर्वेति षड्भेदोऽसौ व्यनक्ति यत् ॥ ४० ॥ वस्त्वलंकारमथवा तेनायं द्वादशात्मकः । स्वतःसंभवी न केवलं भणितिमात्रनिष्पन्नो यावद्बहिरप्यौ- चित्येन संभाव्यमानः । कविना प्रतिभामात्रेण बहिरसन्नपि निर्मितः कविनिबद्धेन वक्त्रेति वा द्विविधोऽपर इति त्रिविधः । [Another example of the same kind]— ‘ O King, when you are angry with a man, both Śani (the evil planet Saturn) and Aśani (the thunderbolt) strike him fiercely ; while when you are pleased with a man, he shines nobly (udāra) and has his wife obedient to him (anudārā)’. Here what is suggested is that even mutually con- tradictory forces (Śani—Aśani, and Udāra—Anudārā) co-operate in obeying your wishes. Inasmuch as the suggestive object ‘ based upon the force of the meaning’ is either (a) self-existent or (b) owing its existence to the bold assertion of the poet or (c) owing its existence to the bold assertion of some character portrayed by the poet ;— each of these three being either a figure of speech or a bare fact, it comes to be of six kinds (39-40) ; and since each of these suggests a figure or a fact, it comes to be of twelve kinds. (a) ‘ Self-existent’—Not only created by the words of the poet, but having a real existence in the world ; —(b) created by the poet’s imagination, and having no real existence in the external world ;—(c) created by the imagination of a speaker portrayed by the poet ;—these two non-existent varieties along with the former make the 6