काव्यप्रकाश (आचार्य मम्मट - सम्पूर्ण १० उल्लास सटीक)

94 KĀVYAPRAKĀŚA रुधिरविसरप्रसाधितकरवालकरालरुचिरभुजपरिघः । झटिति भ्रुकुटिविटङ्कितललाटपट्टो विभासि नृप भीम ॥७७॥ (४) अत्र भीषणीयस्य भीमसेन उपमानम् । भुक्तिमुक्तिकृदेकान्तसमादेशनतत्परः । कस्य नानन्दनिष्यन्दं विदधाति सदागमः ॥७८॥ (५) काचित् संकेतदायिनमेवं मुख्यया वृत्त्या शंसति । (4) [Suggestion of perceptible process by a word—founded on the power of words—of figure by fact]— ‘O King, thou awe-inspiring one (Bhīma) ! Thou art resplendent, with thy bolt-like arm pleasing and terrible through the sword reddened with the flow of blood, and with thy broad forehead marked with creases caused by the sudden curvature of the eye-brows.’ The similitude (Simile) of the awe-inspiring King to Bhīmasena is suggested (by the fact of the King’s sword being reddened with blood and so forth, and this is done through the force of the single word ‘bhīma,’ the replacing of which by its synonym would spoil the whole effect). (5) [Suggestion of perceptible process—founded on the power of a word—of fact by fact.] ‘To whom does Sadāgama, (a) true scripture, [(b) lover’s visit] not bring continued bliss,—(a) always offering salutary advice and leading to heavenly pleasure and beati- tude [(b) always bent upon indicating secluded rendezvous, and bringing about enjoyment and deliverance from the pangs of separation] ?’” The woman is conveying (her acquiescence) to the lover suggesting a meeting-place, by means of suggestion. [And this is done through the double meanings of the words chosen; it is the suggestion of the fact of her acceptance by the fact described.]