काव्यप्रकाश (आचार्य मम्मट - सम्पूर्ण १० उल्लास सटीक)

96 KĀVYAPRAKĀŚA अत्र जन्मसहस्रैरुपभोक्तव्यानि दुष्कृतसुकृतफलानि वियोग- दुःखचिन्तनाह्लादाभ्यामनुभूतानीत्युक्तम् । एवं चाशेषचय- पदद्योत्ये अतिशयोक्ती । क्षणदासावक्षणदा वनमवनं व्यसनमव्यसनम् । बत वीर तव द्विषतां पराङ्मुखे त्वयि पराङ्मुखं सर्वम् ॥८२॥ (८) अत्र शब्दशक्तिमूलविरोधाङ्गेनाथान्तरन्यासेन 'विधिरपि त्वामनुवर्तते' इति सर्वपदद्योत्यं वस्तु । by her not meeting him, and the store of her spiritual merit exhausted in the deep joy of contemplating upon Him.' What is meant here is that the sins and spiritual merit, the fruition of which would ordinarily extend over thou- sands of lives, were passed through merely by the pangs of separation and the joy of contemplation ; and thus the figure of Hyperbole is suggested by the two terms 'all' and 'store' (by the fact of the girl having attained beati- tude). (8) [Suggestion of perceptible process—by word—based on force of meaning of fact by self-existent figure]— ‘O heroic king! When you become contrary to your ene- mies, every thing of theirs becomes contradictory—Kṣaṇadā [(a) night] becomes akṣaṇadā [(a) non-night, (b) uneasy], vana (forest) becomes a-vana [(a) non-vana, (b) shelter], and vyasana (occupation) becomes a-vyasana [(a) non-vyasana, (b) sheep-tending]. [i.e. They pass uncomfortable nights, fly to the forest and take to the tending of sheep].’ Through the implication of the term ‘everything’ the fact that ‘even Fate follows your lead’ is suggested by the Figure of ‘Transition’, which subserves the figure