काव्यप्रकाश (आचार्य मम्मट - सम्पूर्ण १० उल्लास सटीक)

CHAPTER IV 113 अत्र तुल्ययोगिताद्योतकस्य ‘च’ इति निपातस्य । रामोसौ भुवनेषु विक्रमगुणैः प्राप्तः प्रसिद्धिं परा- मस्मद्भाग्यविपर्ययाद्यदि परं देवो न जानाति तम् । बन्दीवैष यशांसि गायति मरुद्यस्यैकबाणाहति- श्रेणीभूतविशालतालविवरोद्गीर्णैः स्वरैः सप्तभिः ॥१०९॥ Here the suggestion of Heroic Passion is made by the Indeclinable ‘cha’ (‘and’), which implies the figure of ‘Equal Pairing’ [the simultaneity of the king's thinking of glory and the destruction of the enemies.] Rāmosau bhuvaneṣu vikramaguṇaiḥ prāptaḥ prasiddhiṁ parām Asmadbhāgyaviparyayād yadi paraṁ devo na jānāti tam. Bandīvaiṣa yaśāṁsi gāyati marud yasyaikabāṇāhati— Śreṇībhūtaviśālatālavivarodgīrṇaiḥ svaraiḥ saptabhiḥ. ‘Through his valour and other excellences, this Rāma has attained great renown in the worlds; through the reversal of our fortune, your majesty does not yet re- cognise him; his fame is being sung, as if by a bard, by the wind, in all the seven notes of music issuing forth from the holes made by the stroke of a single arrow in the seven huge palm-trees standing in a line.’ The passion of the Heroic is suggested here—(a) by the pronoun ‘asau’, ‘this’ (which indicates that the person is well-known), (b) by the basic noun ‘bhuvaneṣu’ ‘in the worlds’ (which mean that the person's fame is not confined to any particular province or country), (c) by the number in ‘guṇaiḥ’ (which means that he is famous not only for one or two qualities but for many), (d) by the use of the term ‘asmat’ (our) in preference to ‘tvat’ (your) or ‘mat’ (mine) [in the compound ‘asmadbhāgya’...], which implies that the misfortune is of all the persons 8