काव्यप्रकाश (आचार्य मम्मट - सम्पूर्ण १० उल्लास सटीक)

CHAPTER IV. 117 तत्र दिङ्मात्रमुदाह्रियते । खणपाहुणिआ देअर जायाए सुहअ किंपि दे भणिआ । रुअइ पडोहरवलहीघरम्मि अणुणिज्जउ वराई ॥१९१॥ अत्रानुनयः किमुपभोगलक्षणेऽर्थान्तरे संक्रमितः किमनुरण- न्न्यायेनोपभोगे एव व्यङ्ग्ये व्यञ्जकः इति संदेहः । स्निग्धश्यामलकान्तिलिप्तवियतो वेल्लद्बलाका घनाः वाताः शीकरिणः पयोदसुहृदामानन्दकेकाः कलाः । कामं सन्तु दृढं कठोरहृदयो रामोऽस्मि सर्वं सहे वैदेही तु कथं भविष्यति ह हा हा देवि धीरा भव ॥१९२॥ These are illustrated only partially— ‘ O brother ! Has the girl, a guest for the moment, been told something by your wife ? She is weeping behind the house ; go, console the poor creature ’. Here it is doubtful whether the ‘ consoling ’ is meant to be transformed into something else, in the form of dalliance, (thus making the suggestion one of ‘ transferred denotation ’), or it itself suggests, in the manner of an echo, the dalliance (making the suggestion one in which the expressed meaning, while applicable, is subservient to another meaning). ‘ The clouds have overspread the sky with dense black lustre, and are adorned with lines of cranes ; the wind is blowing in sprays ; there is joyous shrieking of the friends of clouds (Peacocks).—Let all these be ! I am surely Rāma of the hard heart and shall bear all ; but how will Vaidehī be keeping ? Ah ! O Lady, bear up with fortitude !’ Here (a) in the terms ‘ overspread ’ and ‘ friends of clouds ’ we have the ‘ conjunction ’ (mutually indepen-