काव्यप्रकाश (आचार्य मम्मट - सम्पूर्ण १० उल्लास सटीक)

118 KĀVYAPRAKĀŚA अत्र लिप्तेति पयोदसुहृदामिति च अत्यन्ततिरस्कृतवाच्ययोः संसृष्टिः । ताभ्यां सह रामोस्मीत्यर्थान्तरसंक्रमितवाच्यस्या- नुग्राह्यग्राहकभावेन रामपदलक्षणैकव्यञ्जकानुप्रवेशेन चार्थान्तरसं- क्रमितवाच्यरसध्वन्योः संकरः । एवमन्यदप्युदाहार्यम् ॥ इति काव्यप्रकाशे ध्वनिनिर्णयो नाम चतुर्थ उल्लासः ॥ ४ ॥ dent) of the two suggestions (where the expressed mean- ing is entirely ignored) ;—and (b) again with these two there is ‘commixture’ with the suggestion in the expression ‘I am Rāma’, whose expressed meaning is transformed into something else (i. e. disregard for himself, who is known to be the receptacle of constant sufferings); in which commixture (of the second kind) the two factors help each other,—and another ‘commixture’ (of the third kind) of the suggestion (by the whole sentence) of the ‘erotic in privation’ and that (by the single word ‘rāmaḥ’) of ‘self-abnegation’, in both of which the Expressed meaning is transformed, and both of which form part and parcel of what is indicated by the single word ‘rāmaḥ’. The other varieties may be similarly illustrated. 43-44. [Here ends the chapter IV entitled Description of Suggestion of the Kāvyaprakāśa.]