काव्यप्रकाश (आचार्य मम्मट - सम्पूर्ण १० उल्लास सटीक)

अथ षष्ठ उल्लासः शब्दार्थचित्रं यत्पूर्वं काव्यद्वयमुदाहृतम् । गुणप्राधान्यतस्तत्र स्थितिश्चित्रार्थशब्दयोः ॥ ४८ ॥ न तु शब्दचित्रे अर्थस्याचित्रत्वमर्थचित्रे वा शब्दस्य । तथा चोक्तम् “रूपकादिरलंकारस्तस्यान्यैर्बहुधोदितः । न कान्तमपि निर्भूषं विभाति वनिताननम् ॥ रूपकादिमलंकारं बाह्यमाचक्षते परे । सुपां तिङां च व्युत्पत्तिं वाचां वाञ्छन्त्यलंकृतिम् ॥ CHAPTER VI LOWEST KIND OF POETRY OF FANCIFUL WORD AND FANCIFUL MEANING In the two kinds of Poetry spoken of above—that of Fan- ciful Word and that of Fanciful Meaning,—subordinacy and pre- dominance belong respectively to the fanciful meaning and the fanciful word. It is not that in the Poetry of Fanciful Word, there is no fanciful meaning or vice versa. [All that the division means is that though in any individual instance, we may have both fanciful word and fanciful meaning, yet it is regarded as the Poetry ‘ of Fanciful Word ’ when the fanciful word (i. e., the Verbal Figure of Speech) is more prominent than the fanci- ful meaning (i. e., the Ideal Figure of Speech) ; and it is regarded as ‘ of fanciful meaning ’ when the fanciful meaning is the more prominent of the two]. [In support of this commixture of both] we have the following declaration :— ‘(a) Some writers have spoken of Metaphor and the other (ideal) Figures of Speech as the real ‘ embellishments ’ 11