काव्यप्रकाश (आचार्य मम्मट - सम्पूर्ण १० उल्लास सटीक)

CHAPTER VII 187 प्राभ्रभ्राड्विष्णुधामाप्य विषमाश्र्वः करोत्ययम् । निद्रां सहस्रपर्णानां पलायनपरायणाम् ।।१७४।। अत्र प्राभ्रभ्राड्विष्णुधामविषमाश्र्वनिद्रापर्णशब्दाः प्रकृष्टजलद- गगनसप्ताश्र्वसंकोचदलानामवाचकाः ।। भूपतेरुपसर्पन्ती कम्पना वामलोचना । तत्तत्प्रहरणोत्साहवती मोहनमादधौ ।।१७५।। अत्रोपसर्पणप्रहरणमोहनशब्दा व्रीडादायित्वादश्लीलाः । तेन्यैर्वान्तं समश्नन्ति परोत्सर्गं च भुञ्जते । इतरार्थग्रहे येषां कवीनां स्यात्प्रवर्तनम् ।।१७६।। (5) [The ‘ Inexpressive ’]— ‘ Prābhrabhrāḍ viṣṇudhāmāpya viṣamāshvaḥ karotyayam Nidrāṁ sahasraparṇānāṁ palāyanaparāyaṇām. ‘ Having reached the beautifully clouded sky, the sun puts to flight the sleep of the lotuses.’ Here the words ‘ prābhrabhrāṭ,’ viṣṇudhāma,’ ‘viṣamāshva ’, ‘ nidrā ’ and ‘ parṇa ’ have been used in the sense, res- pectively, of ‘ beautiful cloud ’, ‘ sky ’ ‘ sun ’, ‘ closing ’ and ‘ petal ’,—while, as a matter of fact they do not ex- press or denote these things. (6) [Indecorous—shameful]— ‘ Bhūpaterupasarpantī kampanā vāmalochanā Tattatpraharaṇotsāhavatī mohanamādadhau ’. ‘The angry army of the king brought about the stupefac- tion (of the enemy) by marching and energetically striking’. Here the words ‘ upasarpantī ’, ‘ praharaṇa ’ and ‘ moha- na ’ give rise to feelings of shame by reason of their second meanings (women in love, embraces and passionate love, respectively), and are ‘ therefore ’ ‘ indecorous ’. [Indecorous—Disgusting]— Tenyairvāntam samashnanti···parotsargaṁcha bhuñjate.