काव्यप्रकाश (आचार्य मम्मट - सम्पूर्ण १० उल्लास सटीक)

210 KĀVYAPRAKĀŚA (२) उपहत उत्त्वं प्राप्तो (३) लुप्तो वा विसर्गो यत्र तत् । यथा धीरो विनीतो निपुणो वराकारो नृपोत्र सः । यस्य भृत्या बलोत्सिक्ता भक्ता बुद्धिप्रभावितः ॥२१०॥ (४) विसंधि संधेर्वैरूप्यम् विश्लेषोश्लीलत्वं कष्टत्वं च । तत्राद्यं यथा राजन्विभान्ति भवतश्चरितानि तानि इन्दोर्द्युतिं दधति यानि रसातलेन्तः । धीदोर्बले अतितते उचितानुवृत्ती आतन्वती विजयसंपदमेत्य भातः ॥२११॥ (2) and (3) The following is an example of the ‘visarga blunted’,—i. e., transformed into ‘o’,—as also of the ‘visarga deleted’— ‘Dhīro vinīto nipuṇo varākāro nṛpotra saḥ—(2) Yasya bhṛtyā balotsiktā bhaktā buddhiprabhāvitāḥ’—(3) ‘This king is dignified, modest, efficient and of hand- some presence ; his dependants are strong in intelligence, devoted to their master and proud of their strength.’ [In the first half the visarga is transformed into ‘o’ no less than five times; and in the second half it is deleted thrice.] (4) The ‘Cacophonous’ is that which involves a dis- cordant euphony,—this discordance manifesting itself in three ways : (a) in disjunction, (b) in indecorousness and (c) in harshness. (a) The following is an example of the euphony of discordant disjunction— ‘Rājan...tāni indor......dhīdorbale atitate uchitānuvṛttī ātanvatī.........bhātaḥ’...