काव्यप्रकाश (आचार्य मम्मट - सम्पूर्ण १० उल्लास सटीक)

290 KĀVYAPRAKĀŚA बाध्यत्वेनोक्तिर्न परमदोषः यावत् प्रकृतरसपरिपोषकृत् । यथा 'क्वाकार्यं शशलक्ष्मणः क्व च कुलम्' इत्यादौ ॥३३१॥ अत्र वितर्कादिषु उद्गतेष्वपि चिन्तायामेव विश्रान्तिरिति प्रकृतरसपरिपोषः ॥ पाण्डु क्षामं वदनं हृदयं सरसं तवालसं च वपुः । आवेदयति नितान्तं क्षेत्रियरोगं सखि हृदन्तः ॥३३२॥ इत्यादौ साधारणत्वं पाण्डुतादीनामिति न विरुद्धम् ॥ सत्यं मनोरमा रामाः सत्यं रम्या विभूतयः । किं तु मत्ताङ्गनापाङ्गभङ्गलोलं हि जीवितम् ॥३३३॥ suppressed, such mention is not very defective; on the contrary, it serves to heighten the principal Passion depicted. As an example we have the verse ‘Kvākāryaṁ shashalaks- maṇaḥ &c’. (See above, stanza No. 53), where though the variants, ensuants and excitants, in the form of ‘argu- mentation’, ‘doubt’ and so forth (which are adverse to the Passion depicted) are mentioned as appearing, yet they are all represented as becoming merged into painful reflection, which tends to heighten the Passion depicted. Similarly, in the following verse— ‘O friend, thy face is pale and emaciated, and heart full of substance, and body languid; all this indicates the presence of an incurable disease of the heart’— though Paleness and the other effects mentioned are in a sense adverse to the Erotic Passion depicted (inasmuch as they can be the effects of the Pathetic Passion also); —yet, inasmuch as they are common (to the Erotic and to the Pathetic), they cannot be regarded as entirely ‘adverse.’