काव्यप्रकाश (आचार्य मम्मट - सम्पूर्ण १० उल्लास सटीक)

CHAPTER IX 325 पादतद्भागवृत्ति तद्यात्यनेकताम् ॥ ८३ ॥ प्रथमो द्वितीयादौ द्वितीयस्तृतीयादौ तृतीयश्चतुर्थे प्रथम- स्त्रिष्वपीति सप्त । प्रथमो द्वितीये तृतीयश्चतुर्थे प्रथमश्चतुर्थे द्वितीयस्तृतीये, इति द्वे । तदेवं पादजं नवभेदम् । अर्धावृत्तिः श्लोकावृत्तिश्चेति द्वे । uniform’), the letters ‘sa-ma-ra’, when occurring first, have the sense of ‘war’, but when repeated, the same letters have no sense, (as they form part of the compound ‘samarasaḥ’); so that it is not right to say that Chime consists in the repetition of letters with a different meaning.” ‘Sā’, ‘in the same order’,—this is meant to exclude such repetition, as in ‘sarorasa’ (where the consonants are not repeated in the same order). As occurring in the several feet of a verse or in several parts thereof,—it becomes manifold. 83. (1) The first foot repeated in the second foot, (2) the first foot repeated in the third foot, (3) the first foot repeated in the fourth foot;—(4) the second foot repeated in the third foot, (5) the second foot repeated in the fourth foot;—(6) the third foot repeated in the fourth, —and (7) the first foot repeated in all the other three feet.— These make seven varieties.—Then there are two varie- ties—viz:—(8) the repetition of the first foot in the second foot, and that of the third in the fourth foot—and (9) the repetition of the first foot in the fourth and that of the second in the third.—Thus there are nine varieties of Chime as occurring in the several feet of a verse.—In addition to these there are two varieties—viz.,—(10) the repetition of one half of the verse and (11) the repetition of the entire verse.