काव्यप्रकाश (आचार्य मम्मट - सम्पूर्ण १० उल्लास सटीक)

458 KĀVYAPRAKĀŚA गृहिणी सचिवः सखी मिथः प्रियशिष्या ललिते कलाविधौ । करुणाविमुखेन मृत्युना हरता त्वां बत किं न मे हृतम् ॥५६२॥ सर्वत्र एवंविधविषयेऽतिशयोक्तिरेव प्राणत्वेनावतिष्ठते तां विना प्रायेणालंकारत्वायोगात् । अत एवोक्तम् "सैषा सर्वत्र वक्रोक्तिरनयार्थो विभाव्यते । यत्नोऽस्यां कविना कार्यः कोऽलंकारोऽनया विना ॥ इति ॥ स्वमुत्सृज्य गुणं योगादत्युज्ज्वलगुणस्य यत् । वस्तु तद्गुणतामेति भण्यते स तु तद्गुणः ॥ १३७॥ वस्तु तिरस्कृतनिजरूपं केनापि समीपगतेन प्रगुणया स्वगुण- संपदोपरक्तं तत्प्रतिभासमेव यत्समासादयति स तद्गुणः । तस्या- प्रकृतस्य गुणोऽत्रास्तीति । Another example of the same— ‘When cruel Death deprived me of you—who were my wife, counsellor, confidante and beloved pupil in the graceful arts,—oh ! what is there that he did not deprive me of ?’ In all these cases (of the Extraordinary), artistic ex- pression forms the very essence ; as without it they would almost cease to be ornamental (figures of speech) at all. It is for this reason that the following statement has been made (by Bhāmaha and others)—‘Artistic expression is present everywhere ; it is by this that meanings become beautified ; it is on this that the poet should concentrate his effort ; what figure of speech can there be without this ?’ 136. LVII—Tadguṇa,—Quality borrowing. When a thing, through contact with another possessed of extremely brilliant qualities, renounces its own quality and takes up the qualities of that other thing,—it is Quality-borrowing. 137.