काव्यप्रकाश (आचार्य मम्मट - सम्पूर्ण १० उल्लास सटीक)

36 KĀVYAPRAKĀŚA एवं लक्षणामूलं व्यञ्जकत्वमुक्तम् ।। अभिधामूलं त्वाह— the words being addressed to the king]; (g) in the expression ‘Makaradhvaja is angry’, the meaning of the word ‘Makaradhvaja’ is restricted to the Love-God [as the ‘peculiarity’ mentioned, being angry, can apply to that God alone, and not to the ocean, which is also called ‘Makaradhvaja’];—(h) in ‘devasya purārāteḥ’, the meaning of the word, ‘deva’ is restricted to Śiva [through the ‘proximity of the word’ ‘purārāti’, which can apply to Śiva, and to no other God];—(i) in ‘the kokila bird is intoxicated by Madhu’. the meaning of the word ‘Madhu’ is restricted to the Spring [as that alone, and not honey or wine, has the ‘capacity’ to intoxicate the bird]; (j)—in ‘pātu vo dayitāmukham,’ the meaning of the word ‘pātu’ (which can mean drink and protect also) is restricted to confrontation [as this alone is ‘compatible’ with the ‘beloved’s face’];—(k) in ‘Parameśvara shines here’, the meaning of the word ‘Parameśvaraḥ’ is restricted to the king, through the ‘place’ referred to being the King’s capital;—(l) in ‘Chitrabhānu is shining,’ the meaning of the word ‘Chitrabhānu’ is restricted to the Sun, if the words are uttered during the day, and to fire, if they are uttered at night, and this is done through ‘time’;—(m) in the expression ‘Mitra shines’, if the word ‘Mitra’ is used in the neuter ‘gender’, its meaning becomes res- tricted to the friend, but if in the masculine ‘gender’, then to the Sun;—(n) in the expression ‘Indraśatru,’ the meaning becomes restricted by the ‘accent’ [if the accent is put on the first word of the compound, it has to be taken as Bahuvrīhi, and then its meaning is he ‘whose killer is Indra,’ but if the accent is put on the second word it has to be taken as Tatpuruṣa, which means ‘the killer